I think that it’s a space that there are a lot of projections onto—the soon-to-be sexualized and already-sexualized young woman. There are so many outside perceptions grafted onto her, that she feels all at once completely blank and completely full. I noticed that a lot in your book, as well, this repetition of a shallowness. But there is also depth in the constant repetition of this shallowness.
Tamara Faith BergerStichwörter: the-young-girl
Henry Miller, Genet, Sade, Bataille are really important writers for me and I love them, but I feel often they don’t love me, you know? I feel I always have to wrap my head around the way the girl is treated in the works, and the way the woman writer has been treated within their philosophies. I think of Kathy Acker’s Blood and Guts in High School, where Janey Smith is in an S
Kate ZambrenoStichwörter: sex misogyny kathy-acker the-young-girl
When I was writing Green Girl,I was reading Simone de Beauvoir’s The Second Sex, and she’s very dismissive of the young girl. She writes about the girl as being from this space of bad faith and blankness. I’m more interested in a messy space.
Kate ZambrenoStichwörter: simone-de-beauvoir the-young-girl
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