What they signified was precious, but what they were was not.
Victoria FinlayIf Bacchus ever had a color he could claim for his own, it should surely be the shade of tannin on drunken lips, of John Keat's 'purple-stained mouth', or perhaps even of Homer's dangerously wine-dark sea.
Victoria FinlayTags: purple wine bacchus colour
I realized it was like a dating agency: the ions are the lost souls looking for mates; the electrolyte is the agency that can help them find each other.
Victoria FinlayTags: chemistry
...almost every pearl on sale today was born of the planned sexual violation of a small creature, and that considerable suffering hangs on those necklace strings.
Victoria FinlayTags: animal-cruelty jewelry
Human life is fragile: we live in the space between one breath and the next. We often try to maintain an illusion of permanence, through what we do, say, wear, buy, and how we enjoy ourselves and who and how we love. Yet it is an illusion that is constantly being undermined by change and death. We can use diamonds in whatever way we like. They are empty things, pretty as water, yet within them—if we want to see it—there is blood, dust, love, curses, and suffering. There is desire to make someone happy, there is admiration, there is ostentation…and there is a company’s profit curve.
Victoria Finlay…in Pliny’s time, it was believed that only the blood of a newly sacrificed kid, or lamb, could shatter a diamond. Pliny wondered—as many did until the seventeenth century when this ‘fact’ was still being quoted as a gemological curiosity—how anyone could have thought to experiment with such a thing … He did not realize that the story was probably a metaphor, perhaps with the same root as the Christian symbol of the Lamb of God. A diamond is the hardest substance; a sacrificed lamb or goat the most innocent. The only way to overcome harshness and brutality, the imagery suggests, is with love.
Victoria FinlayOnce upon a time Apache land would have stretched farther than the horizon, through New Mexico almost to Texas, but as white men found gold, silver, turquoise, and copper beneath its surface they carved up the territory like children sneaking to the fridge and slicing off a chocolate cake bit by bit: hoping at first that the loss wouldn’t be noticed but ultimately not really caring.
Victoria FinlaySometimes the mind is cruel: it tells us we are worth no more than our possessions, and that without them we would be nothing. And when we believe it, perhaps it is true.
Victoria FinlayIn 1879 the Bengali scholar S.M. Tagore compiled a more extensive list of ruby colors from the Purana sacred texts: ‘like the China rose, like blood, like the seeds of the pomegranate, like red lead, like the red lotus, like saffron, like the resin of certain trees, like the eyes of the Greek partridge or the Indian crane…and like the interior of the half-blown water lily.’ With so many gorgeous descriptive possibilities it is curious that in English the two ancient names for rubies have come to sound incredibly ugly.
Victoria FinlayIn precious opals there might be a dash of red here, a seductive swirl of blue there, and in the center, perhaps, a flirtatious glance of green. But each stone flickers with a unique fire and a good opal is one with an opinion of its own.
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