But the real and actual 'riggedness' of the Eurovision lies in the vision it presents to us as to what 'Culture' is supposed to be: a monotone, cheap, cloned industrialized song with some glamour attached. The formula is always the same: 24 cloned songs, like computer automated, and 2 'crazy' ones so it seems that all this clonedness is actually supported by creativity. But in this image of 'craziness' there is the same formula: cloned, boring songs with some carnavalesque stuff attached. The factual dynamics of the event are in fact fascist: its almost purely Riefenstahl, but the Chinese mass production version of it. It shows us one thing and one thing only: Countries are an illusion, they are all the same. There are no countries.
