You, Doctor Martin, walk
from breakfast to madness. Late August,
I speed through the antiseptic tunnel
where the moving dead still talk
of pushing their bones against the thrust
of cure. And I am queen of this summer hotel
or the laughing bee on a stalk

of death. We stand in broken
lines and wait while they unlock
the doors and count us at the frozen gates
of dinner. The shibboleth is spoken
and we move to gravy in our smock
of smiles. We chew in rows, our plates
scratch and whine like chalk

in school. There are no knives
for cutting your throat. I make
moccasins all morning. At first my hands
kept empty, unraveled for the lives
they used to work. Now I learn to take
them back, each angry finger that demands
I mend what another will break

tomorrow. Of course, I love you;
you lean above the plastic sky,
god of our block, prince of all the foxes.
The breaking crowns are new
that Jack wore. Your third eye
moves among us and lights the separate boxes
where we sleep or cry.

What large children we are
here. All over I grow most tall
in the best ward. Your business is people,
you call at the madhouse, an oracular
eye in our nest. Out in the hall
the intercom pages you. You twist in the pull
of the foxy children who fall

like floods of life in frost.
And we are magic talking to itself,
noisy and alone. I am queen of all my sins
forgotten. Am I still lost?
Once I was beautiful. Now I am myself,
counting this row and that row of moccasins
waiting on the silent shelf.

Author: Anne Sexton

You, Doctor Martin, walk<br />from breakfast to madness. Late August,<br />I speed through the antiseptic tunnel<br />where the moving dead still talk<br />of pushing their bones against the thrust<br />of cure. And I am queen of this summer hotel<br />or the laughing bee on a stalk<br /><br />of death. We stand in broken<br />lines and wait while they unlock<br />the doors and count us at the frozen gates<br />of dinner. The shibboleth is spoken<br />and we move to gravy in our smock<br />of smiles. We chew in rows, our plates<br />scratch and whine like chalk<br /><br />in school. There are no knives<br />for cutting your throat. I make<br />moccasins all morning. At first my hands<br />kept empty, unraveled for the lives<br />they used to work. Now I learn to take<br />them back, each angry finger that demands<br />I mend what another will break<br /><br />tomorrow. Of course, I love you;<br />you lean above the plastic sky,<br />god of our block, prince of all the foxes.<br />The breaking crowns are new<br />that Jack wore. Your third eye<br />moves among us and lights the separate boxes<br />where we sleep or cry.<br /><br />What large children we are<br />here. All over I grow most tall<br />in the best ward. Your business is people,<br />you call at the madhouse, an oracular<br />eye in our nest. Out in the hall<br />the intercom pages you. You twist in the pull<br />of the foxy children who fall<br /><br />like floods of life in frost.<br />And we are magic talking to itself,<br />noisy and alone. I am queen of all my sins<br />forgotten. Am I still lost?<br />Once I was beautiful. Now I am myself,<br />counting this row and that row of moccasins<br />waiting on the silent shelf. - Anne Sexton




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