A city street equipped to handle strangers, and to make a safety asset, in itself, our of the presence of strangers, as the streets of successful city neighborhoods always do, must have three main qualities:

First, there must be a clear demarcation between what is public space and what is private space. Public and private spaces cannot ooze into each other as they do typically in suburban settings or in projects.

Second, there must be eyes upon the street, eyes belonging to those we might call the natural proprietors of the street. The buildings on a street equipped to handle strangers and to insure the safety of both residents and strangers, must be oriented to the street. They cannot turn their backs or blank sides on it and leave it blind.

And third, the sidewalk must have users on it fairly continuously, both to add to the number of effective eyes on the street and to induce the people in buildings along the street to watch the sidewalks in sufficient numbers. Nobody enjoys sitting on a stoop or looking out a window at an empty street. Almost nobody does such a thing. Large numbers of people entertain themselves, off and on, by watching street activity.

Jane Jacobs

Tags: planning design cities 35 sidewalks



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There was good in seahorses, in yellow dwarfs of destiny, but they are in no way adapted to the requirements of modern life.

Gilles Ivain (aka Ivan Chtcheglov)

Tom McDonough

Tags: modernism 35 situationist



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Everyone wavers between the emotionally still-alive past ad the already dead future.

Gilles Ivain (aka Ivan Chtcheglov)

Tom McDonough

Tags: future modernism 35 situationists



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We leave to monsieur Le Corbusier his style that suits factories as well as it does hospitals. And the prisons of the future: is he not already building churches? I do not know what this individual -- ugly of countenance and hideous in his conceptions of the world -- is repressing to make him want thus to crush humanity under ignoble heaps of reinforced concrete, a noble material that ought to permit an aerial articulation of space superior to Flamboyant Gothic. His power of cretinization is vast. A model by Corbusier is the only image that brings to my mind the idea of immediate suicide. With him moreover any remaining job will fade. And love -- passion -- liberty.

Gilles Ivain (aka Ivan Chtcheglov)

Tom McDonough

Tags: architecture city 35 situations corbusier



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