In loving him, I saw a cigarette between the fingers of a hand, smoke blowing backwards into the room and sputtering planes diving low through the clouds. In loving him, I saw men encouraging each other to lay down their arms. In loving him, I saw small-town laborers creating excavations that other men spend their lives trying to fill. In loving him, I saw moving films of stone buildings; I saw a hand in prison dragging snow in from the sill. In loving him, I saw great houses being erected that would soon slide into the waiting and stirring seas. I saw him freeing me from the silences of the interior life.
David WojnarowiczTags: lgbt-literature queer-lit david-wojnarowicz
As they walked out onto Second Avenue, with David in a body bag, there was one last surreal moment. The singer and composer Diamanda Galás happened to be walking by. She and David had never met, but they'd spoken once on the phone. She shared his commitment to addressing AIDS, in her case through 'The Plague Mass,' which showcased her five-octave range and fierce persona.
Galás does not remember being on Second Avenue that night, but she made an indelible impression on Zimmerman and Glantzman.
She had walked by, but as they were putting David into the hearse, she spun around and ran back, yelling, 'Who is that? Is that David Wojnarowicz?' Zimmerman and Brown didn't answer. What Glantzman remembers is that Diamanda Galás was there at the door, screaming. 'As if our feelings were amplified,' said Glantzman. 'Hysterical screaming.
Tags: mourning david-wojnarowicz diamanda-galás
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