Put down everything that comes into your head and then you're a writer. But an author is one who can judge his own stuff's worth, without pity, and destroy most of it."

(Casual Chance, 1964)

Colette

Tags: writing creative-process editing self-criticism



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A professional writer is an amateur who didn't quit.

Richard Bach

Tags: writing editing richard-bach



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How do you end a story that’s not yours? Add another sentence where there is a pause? Infiltrate the story with a comma when really there should have been a period? Punctuate with an exclamation point where a period would have sufficed? What if you kill something breathing and breathe life into something the author wanted to eliminate? How do you get inside the mind of a person who isn’t there? Fill the shoes of someone who will never again fill his own?

Shaila M. Abdullah

Tags: writing editing manuscript



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So the writer who breeds more words than he needs, is making a chore for the reader who reads.

Dr. Seuss

Tags: on-writing editing



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Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress...

Actually, when you think about it, not many novels in the Spare tradition are terribly cheerful. Jokes you can usually pluck out whole, by the roots, so if you're doing some heavy-duty prose-weeding, they're the first to go. And there's some stuff about the whole winnowing process I just don't get. Why does it always stop when the work in question has been reduced to sixty or seventy thousand words--entirely coincidentally, I'm sure, the minimum length for a publishable novel? I'm sure you could get it down to twenty or thirty if you tried hard enough. In fact, why stop at twenty or thirty? Why write at all? Why not just jot the plot and a couple of themes down on the back of an envelope and leave it at that? The truth is, there's nothing very utilitarian about fiction or its creation, and I suspect that people are desperate to make it sound manly, back-breaking labor because it's such a wussy thing to do in the first place. The obsession with austerity is an attempt to compensate, to make writing resemble a real job, like farming, or logging. (It's also why people who work in advertising put in twenty-hour days.) Go on, young writers--treat yourself to a joke, or an adverb! Spoil yourself! Readers won't mind!

Nick Hornby

Tags: humor writing work editing



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It has been our experience that American houses insist on very comprehensive editing; that English houses as a rule require little or none and are inclined to go along with the author's script almost without query. The Canadian practice is just what you would expect--a middle-of-the-road course. We think the Americans edit too heavily and interfere with the author's rights. We think that the English publishers don't take enough editorial responsibility. Naturally, then, we consider our editing to be just about perfect. There's no doubt about it, we Canadians are a superior breed! (in a letter to author Margaret Laurence, dated May, 1960)

Jack McClelland

Tags: humor writing canada letters editing publishing



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I have always believed in the principle that immediate survival is more important than long-term survival.

Jack McClelland

Tags: writing survival editing publishing



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The thing you don't realize, my dear girl, is that I have been forced by the economic realities to start taking publishing very seriously. For example, it has been brought to my attention that our ability to continue to pay the hordes of people employed by M

Jack McClelland

Tags: humor writing editing editor publishing margaret-atwood



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Any book without a mistake in it has had too much money spent on it.

William Collins

Tags: books humour book editing editors



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Writing without revising is the literary equivalent of waltzing gaily out of the house in your underwear.

Patricia Fuller

Tags: writing editing fantasy-author



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