Just remember who you are... The world will try to change you into someone else. Don't let them. That's the best advice anyone can give you.
Cinda Williams ChimaTags: fantasy-fiction
There's more to life than just surviving . . . but . . . sometimes just surviving is all you get
Charles de LintTags: fantasy-fiction
If you see the dragon fly,
best you drink the flagon dry.”
—Zarost
Tags: dragons drinking life-lessons fantasy-books fantasy-fiction
Those who try to juggle wisdom, power and greed, drop one of the balls, every time.”
—Zarost
Tags: wisdom power greed fantasy-books fantasy-fiction
How can you understand the language of music, if you will not be an instrument?”—Zarost
Greg HamertonTags: life music fantasy-books fantasy-fiction zarost
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.
Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.
That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.
Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb
Iron Dragon's Daughter
gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?
Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.
The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
Tags: literature aesthetics clichés j-r-r-tolkien fantasy-fiction
But this was no ordinary chicken. This chicken was evil manifest.
Terry GoodkindTags: fantasy-fiction
Lady Selyse was as tall as her husband, thin of body and thin of face, with prominent ears, a sharp nose, and the faintest hint of a mustache on her upper lip. She plucked it daily and cursed it regularly, yet it never failed to return. Her eyes were pale, her mouth stern, her voice a whip. She cracked it now.
George R.R. MartinTags: fantasy-fiction
I'm about to start reading it again, because what good is a story you only want to read once?
Bill WillinghamTags: comics fantasy-fiction unwritten-preface
If one chooses sides on emotion then the rebel is the guy to go with. He is fighting for everything men claim to honour, freedom, independance, truth, the right.......all the subjective illusions. All the eternal trigger words. We are minions of the villan of the piece. We confess the illusion and deny the substance.
Glen CookTags: fantasy-fiction
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