Realism can break a writer's heart.
Salman RushdieTags: writing realism magical-realism
Art finds her own perfection within, and not outside of, herself.
She is not to be judged by any external standard of resemblance.
Tags: art fiction realism magical-realism
Art finds her own perfection within, and not outside of, herself.
She is not to be judged by any external standard of resemblance.
Tags: art fairy-tale realism magical-realism
Carry on the Flame to a new dawn I am with you.
~the Goddess of the Stars and the Sea
Tags: avalon goddess magical-realism priestess ya-fantasy
Like everyone, I had,on many previous occasions, ignored a half-open door leading elsewhere - in the chilly passages of strange houses, in backyards, on the outskirts of towns. The frontier of our world is not far away; it doesn't run along the horizon or in the depths. It glimmers faintly close by, in the twilight of our nearest surroundings; out of the corner of our eye we can always glimpse another world, without realizing it. We are walking all the time along a shore and along the edge of a virgin forest. Our gestures would seem to rise out of an entity that also encompasses these concealed spaces, and in an odd way they reveal their shadowy existence, although we are unaware of the roar of waves and shrieks of animals - the disquieting accompaniment to our words (and possibly their secret birthplace); we are unaware of the glittering jewels in the unknown world of nooks and crannies; usually we don't stray off the path even once in our lifetime.
Michel AjvazTags: magical-realism the-other-city
That, too, was in the air itself -- a whisper of apology when the smell of the soil carried. There should be pumpkins in the fields, or sunflowers, or the peppers you saw up north. Instead, it was the smell of old earth that the breezes caught, sometimes a tinge of death. Too hard to forget.
Christian CrewsTags: short-story magical-realism
He wishes he were a skilled poet, it would fit his chosen image perfectly; the poor, tragic, tortured artiste. But he has no talent for words, neither for paints nor music; his uselessness is tremendously total.
Curtis AckieTags: magic-realism surrealism absurdism alchemy magical-realism
Everyone knows how to cook parasols—you soak them in milk, then dip them in egg and breadcrumbs and fry them until they're brown as chops. You can do the same thing with a panther amanita that smells of nuts, but people don't pick amanitas. They divide mushrooms into poisonous and edible, and the guidebooks discuss the features that allow you to tell the difference—as if there are good mushrooms and bad mushrooms. No mushroom book separates them into beautiful and ugly, fragrant and stinking, nice to touch and nasty, or those that induce sin and those that absolve it. People see what they want to see, and in the end they get what they want—clear, but false divisions. Meanwhile, in the world of mushrooms, nothing is certain.
Olga TokarczukTags: magical-realism
Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill.
I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class...
“Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.”
Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.”
I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart.
Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going.
Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.”
“Do they like them?” I asked him curiously.
“If I can get them to read, they do. I tell them: Stories are important.”
And then he looked at me and smiled.
Tags: books fantasy childhood myth folklore charles-de-lint urban-fantasy power-of-stories magical-realism mythic-fiction troubled-backgrounds
Y cuando te estés secando, recordarás a la vieja y a la joven que te sonrieron, abrazadas, antes de salir juntas, abrazadas: te repites que siempre, cuando están juntas, hacen exactamente lo mimo: se abrazan, sonríen, comen, hablan, entran, salen, al mismo tiempo, como si una imitara a la otra, como si de la voluntad de una dependiese la existencia de la otra.
Carlos FuentesTags: magical-realism doppleganger
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