With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed--he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog.
Graham GreeneTags: short-stories novel-writing
Rich will be my life if I
can keep my memories full
and brimming, and record
them on clear-eyed
mornings while I set
joyously to work setting
pen to holy craft.
Tags: life success writing writers work memories craft roman novelist payne novel-writing rooftop-soliloquy succeeding
Who is better off? The one who writes to revel in the voluptuousness of the life that surrounds them? Or the one who writes to escape the tediousness of that which awaits them outside? Whose flame will last longer?
Roman PayneTags: books writing writers interview heroism writer escape publishing flame roman novelist heroic roman-payne novel-writing author-interview tediousness voluptuousness
I don't have a name and I don't have a plot. I have the typewriter and I have white paper and I have me, and that should add up to a novel.
(- Saroyan, when once asked the name of his next book.)
Tags: novel-writing saroyan
Action is the pulse of any good story, but the character is the heart. If the action has no consequence to the character, the story loses heart.
Linda W. YezakTags: writing fiction-writing novel-writing writing-tip
True writers know that writing is not something they feel required to do,
or to make a living they must do, it is quite frankly like breathing. Some
can breathe often and fluently, some short breaths, some a long exhale
and for many of us it is the patient steady breathing surrounding life.
Tags: inspirational family faith life-and-living breathing writers-on-writing novel-writing dreams-inspirational believing-in-yourself
All writers struggle at some point with the problem of balance between authority and involvement, seduction and revelation. Specifically, beginning writers wonder how much description to employ, and more advanced writers ask how much plot is too much or too little. And there is no better place to find answers than in the Victoria's Secret catalogue--or in any ad for lingerie--where the arts of seduction and revelation are so successfully practiced. After all, the secret of the effective lingerie ad is the secret of effective storytelling--to provide, moment by moment, the illusion of imminent expose, to give the viewer (read: reader) the uncanny sense that something fundamentally compelling is always just about to be revealed. Lingerie ads and storytelling balance the veiled and the unveiled, the seen and the unseen, the shown and the about-to-be-shown. In short, it is the art of the tease, the craft of selective 'coverage,' that, not just in lingerie but in storytelling, works to enthrall.
Julie CheckowayTags: on-fiction fiction fiction-writing novel-writing
If Laura was so prolific with poems, and in truth she was, then what was the problem with Megan’s request? Couldn’t Laura, with a little doing, keep stringing together line after line of words and construct, in time, a novel? It seemed logical, but there was the matter of finding an idea and sustaining it. Only fire could do that. The fire of rebellion.
Mario Vargas Llosa had not used the term “fire” exactly, but rather had discussed the presence of “seditious roots” that could “dynamite the world” the writer inhabited. He claimed that writing stories was an exercise in freedom and quarreling—out-and-out rebellion, whether or not the writer was conscious of it. And this rebellion, Vargas Llosa reminded his readers, was why the Spanish Inquisition had strictly censored works of fiction, prohibiting them for three hundred years in the American colonies.
Tags: writing writer novel-writing how-to-write mario-vargas-llosa writing-a-novel
If she was going to write a novel, she felt defeated before she began, because someone might be coming along to pick it apart, looking for symbols like The Conch or The Whale, which seemed to have mythic proportions.
L.L. BarkatTags: writing writers writers-block fiction-writing novel-writing
You could use a moth like that as a symbol in a novel, but it was trite, wasn’t it? The old moth-to-the-flame image had been used and used again. It was the stuff of amateur poetry. And she, having so little experience crafting a story, would be the most in danger of falling into trite approaches. If she wrote a novel, it probably would be about her father. And the male Luna moth would haunt its pages. Everyone would recognize the work as that of a first novelist. “She wrote about herself through the lens of her father.”
The really good novelists, Laura thought, put their fathers, and maybe their mothers too, deeper into the stories. Which, she suddenly thought, might redeem Melville just the littlest bit.
Tags: writing writers melville moby-dick novel-writing
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