In the end, the record companies have the power to control the quality that is served online. Online service has been problematic in that it actively or discreetly promotes trading and duplication of music. It is not offensive to me that the MP3-quaility sound is traded around. It is, in my opinion, the new radio and serves a great purpose: making music lovers away of the content tat is out there to buy. If the consumers want it, let tham take it, whatever quality they prefer. Ultimately, nothing can stop absolute quality from making a big comeback. The stage is well set. I believe in what I am trying to do and that good Karma will come from it.
It is just a matter of time.
Tags: music quality new-radio recordings
This is... an attempt to find some of the important fault lines in the narrative of "recorded history"--the points where people with access to the technology decided that *this* was how recordings should sound, and *this* is what it means to make a record. Ultimately, this is the story of what it means to make a recording of music--a *representation* of music--and declare it to be music itself.
Greg MilnerTags: preservation recordings music-history
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