The greatest gift is the passion for reading.
It is cheap, it consoles, it distracts, it excites,
it gives you knowledge of the world and experience of a wide kind.
It is a moral illumination.

Elizabeth Hardwick

Mots clés reading books



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I often think about bachelors, a life of pure decision, of thoughtful calculations, of every inclination honored. They go about on their own, nicely accompanied in their singularity by the companion of possibility. For cannot any man, young or old, rich or poor, turn a few corners and bump into marriage?

Elizabeth Hardwick


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It is June. This is what I have decided to do with my life just now. I will do this work and lead this life, the one I am leading today. Each morning the blue clock and the crocheted bedspread, the table with the Phone, the books and magazines, the Times at the door.

Elizabeth Hardwick

Mots clés work-writing



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Books give not wisdom where none was before. But where some is, there reading makes it more.

Elizabeth Hardwick


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The greatest gift is a passion for reading.

Elizabeth Hardwick


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Canadians, do not vomit on me!

Elizabeth Hardwick

Mots clés vomit canadians



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Reading is a discount ticket to everywhere.

Elizabeth Hardwick

Mots clés reading



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The large, gaping flaws in the construction of the stories--mad wives in the attic, strange apparitions in Belgium--are a representation of the life she could not face; these gothic subterfuges represent the mind at a breaking point, frantic to find any way out. If the flaws are only to be attributed to the practicce of popular fiction of the time, we cannot then explain the large amount of genuine feeling that goes into them. They stand for the hidden wishes of an intolerable life.

Elizabeth Hardwick

Mots clés writing brontes



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There is nothing quite like this novel with its rage and ragings, its discontent and angry restlessness. Wuthering Heights is a virgin's story.

Elizabeth Hardwick

Mots clés virginity writing wuthering-heights



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Nevertheless the severance is rather casual and it drops a stain on our admiration of Nora. Ibsen has put the leaving of her children on the same moral and emotional level as the leaving of her husband and we cannot, in our hearts, asssent to that. It is not only the leaving but the way the play does not have time for suffering, changes of heart. Ibsen has been too much a man in the end. He has taken the man's practice, if not his stated belief, that where self-realization is concerned children shall not be an impediment.

Elizabeth Hardwick

Mots clés writing motherhood ibsen a-doll-s-house feminsim



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