One of the many innovations of modernism was the new demands it placed on the audience. Music, painting, literature, even architecture, would never again be quite so 'easy' as they had been.
Peter WatsonMots clés innovation audience modernism
...a useful coorective to the triumphalism of some scientists. For example, Maddox went out of his way to emphasise the provisional nature of much physics - he referred to black holes as 'putative' only, to the search for theories of everything as 'the embodiment of a belief, even a hope' and stated that the reason why the quantum gravity project is 'becalmed' right now is because 'the problem to be solved is not yet fully understood' and that the idea that the universe began with a Big Bang 'will be found to be false'.
Peter WatsonMots clés black-holes theory-of-everything
...for example, if Freud is wrong, as i and many others believe, where does that leave any number of novels and virtually the entire corpus of surrealism, Dada, and certain major forms of expressionism and abstraction, not to mention Richard Strauss' 'Freudian' operas such as Salome and Elektra, and the iconic novels of numerous writers such as D.H. Lawrence, Franz Kafka, Thomas Mann and Virginia Woolf? It doesn't render these works less beautiful or pleasurable, necessarily, but it surely dilutes their meaning. They don't owe their entire existence to psychoanalysis. But if they are robbed of a large part of their meaning, can they retain their intellectual importance and validity? Or do they become period pieces? I stress the point because the novels, paintings and operas referred to above have helped to popularise and legitimise a certain view of human nature, one that is, all evidence to the contrary lacking, wrong.
Peter WatsonMots clés freud kafka woolf thomas-mann
For many scientists, as Lyotard concedes, scientific knowledge is the only form of knowledge there is, but if so, how then do we understand fairy stories and law?
Peter WatsonMots clés science lyotard fairy-stories
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