I thought I was getting away from politics for a while. But I now realise that the vuvuzela is to these World Cup blogs what Julius Malema is to my politics columns: a noisy, but sadly unavoidable irritant. With both Malema and the vuvuzela, their importance is far overstated. Malema: South Africa's Robert Mugabe? I think not. The vuvuzela: an archetypal symbol of 'African culture?' For African civilisation's sake, I seriously hope not.

Both are getting far too much airtime than they deserve. Both have thrust themselves on to the world stage through a combination of hot air and raucous bluster. Both amuse and enervate in roughly equal measure. And both are equally harmless in and of themselves — though in Malema's case, it is the political tendency that he represents, and the right-wing interests that lie behind his diatribes that is dangerous. With the vuvu I doubt if there are such nefarious interests behind the scenes; it may upset the delicate ears of the middle classes, both here and at the BBC, but I suspect that South Africa's democracy will not be imperilled by a mass-produced plastic horn.

Richard Calland

Mots clés politics nationalism democracy africa civilisation media culture fascism south-africa attention atmosphere crowds bbc 2010 robert-mugabe culture-of-africa 2010-fifa-world-cup alarmism association-football culture-of-south-africa julius-malema right-wingers vuvuzelas

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For the record, the vuvuzela is not my enemy — and I even have, for reasons of self-defence installed a mini-vuvu with surprisingly powerful performance levels around my neck — though I miss hearing the crescendo of noise from the crowd that should accompany a promising attack on goal or a goal itself. Instead, of course, there is the monotone drone — a constant that belies the ebbs and flows of a game.

Richard Calland

Mots clés soccer atmosphere crowds 2010-fifa-world-cup association-football vuvuzelas

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