In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.
Robert BringhurstMots clés book-design typography
Literature in the written sense represents the triumph of language over writing: the subversion of writing for purposes that have little or nothing to do with social and economic control.
Robert BringhurstMots clés writing literature language
A man who would letterspace lower case would steal sheep, Frederic Goudy liked to say. If this wisdom needs updating, it is chiefly to add that a woman who would letterspace lower case would steal sheep as well .
Robert BringhurstMots clés humor typography type
When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?
Robert BringhurstIf you divide the world into them and us, and history into ours and theirs, or if you think of history as something only you and your affiliates possess, then no matter what you know, no matter how noble your intentions, you have taken one step toward the destruction of the world.
Robert BringhurstTypography is the craft of endowing human language with a durable visual form.
Robert BringhurstMots clés language design typography
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Typographic style is founded not on any one technology of typesetting or printing, but on the primitive yet subtle craft of writing.
Robert BringhurstTypography is to literature as musical performance is to composition: an essential act of interpretation, full of endless opportunities for insight or obtuseness.
Robert BringhurstEssay on Adam"
There are five possibilities. One: Adam fell.
Two: he was pushed. Three: he jumped. Four:
he only looked over the edge, and one look silenced him.
Five: nothing worth mentioning happened to Adam.
The first, that he fell, is too simple. The fourth,
fear, we have tried and found useless. The fifth,
nothing happened, is dull. The choice is between:
he jumped or was pushed. And the difference between these
is only an issue of whether the demons
work from the inside out or from the outside
in: the one
theological question.
Mots clés murder death suicide demons
By all means break the rules, and break them beautifully, deliberately and well.
Robert BringhurstPage 1 de 2.
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