Music, together with certain sorts of majestic landscape, had a well-known tendency to induce such faux-sublime moments: artificial intimations of transcendent truths, grandiose hunches about the nature of the universe. It was all nonsense. Her tears had been no different from the ones people cried at sentimental television commercials. They represented nothing but a momentary and regrettable submission to kitsch.

Auteur: Zoë Heller