Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
Terry EagletonMots clés state literature subversive art-history capitalist
I was born in the US and l have lived in Mexico since 1946. I believe that all these states of being have influenced my work and made it what you see today. I am inspired by Black people and Mexican people, my two peoples. My art speaks for both my peoples
Elizabeth CatlettMots clés identity art-history diaspora
The notions of hybridity, metissage, cosmopolitanism have been deployed and reworked in order to capture the polycentric and polysemic aspects of these new configurations.
Okwui EnwezorMots clés art-history creolization hybridity visual-culture
So what's the point of longing for a new, monumental category hidden somewhere in the non-Western discourse? On the contrary, shouldn't we emphasize that Western art historical thinking has not necessarily to be regarded as monumental? This would be a good condition for dialogue with scholars who are not (or do not want to be) affiliated with "our" tradition.
Ralph UblMots clés art-history
The artists of this nation - state are, taken as one historical subject, one of 'latecomers' to the smorgasbord of the artistic pantheon.Even if Sweden as a nation-state thus seems to have been excluded from the world art history its contemporary arts infrastructure presently makes the country a much more vital place of production.
Charlotte BydlerMots clés art-history sweden
The notion of displacement destabilizes spatial hierarchies of senders and receivers, and turns the issue of historical causality into one or more negotiable genealogy and interpretative communities.
Charlotte BydlerMots clés art-history sweden
The most frequently cited artists and curators travel extensively and there is a real difference in saying whether concepts and other contributions to the current contemporary arts agenda bear a recognizable cultural, or even national, identity.
Charlotte BydlerMots clés art-history sweden
It is a story of utopian dreams and belief in the future, but also one that involves a critique of modernity.
Sverker SörlinMots clés modernism art-history sweden
The homage paid to the fragment and the dismantling of the large narratives had had their spatial counterpart in the lack of integrated and conceptual vision of urban construction, and perhaps also of social construction.
Sverker SörlinMots clés modernism art-history sweden
Is there a Swedish Modernism?
Cecilia WidenheimMots clés modernism art-history sweden
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