We came from Bethlehem, Georgia bearing Betty Crocker cake mixes into the jungle.
Barbara KingsolverMots clés georgia missionaries congo
Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries.
It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism.
The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered.
Mots clés art africa europe congo
I don't know how to stop the atrocities. I don't know how to make people care. But looking into my sister's eyes, we seem to have carved out something between us that none of the madness can touch. Invisible threads.
Lisa J. ShannonMots clés compassion war sisters atrocities congo
As so often happens in politics, what appears to be politically expedient for those in power rarely overlaps with the public interest. The lesser evils of the regime become entrenched, while the greater good is never realized.
Jason StearnsMots clés politics congo public-interest
the normal laws of development are inverted here in the Congo. The forest, not the town, offers the safest sanctuary and it is grandfathers who have been more exposed to modernity than their grandchildren. I can think of nowhere else on the planet where the same can be true.” p141
Tim ButcherShortly afterwards, it sounded as if the rocket-propelled grenades (RPGs) were landing dangerously close - so close that I immediately dropped to the floor, prompting an unflinching Congolese man in the lobby, who’d obviously endured much worse, to jokingly say, ”I see you do not enjoy the beautiful music we play here in the Congo.” It is still one of the most reassuring things anyone has ever said to me in the midst of a crisis….
Samantha NuttMots clés congo
The country is like a great sponge—it finally absorbs you. Eventually you will get malaria or you will get dysentery and whatever you do, if you don't keep doing it, the jungle will grow over you. Black or white, you've got to fight it every minute of the day.
Katharine HepburnMots clés africa congo 1950s 1951
Many of us imagine carrying out dramatic changes in impoverished places, but few have the patience for the small, time-consuming, and seemingly endless details that make it possible.
Deni Ellis BéchardMots clés science conservation non-fiction congo environmental bonobo
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