Stories set in the Culture in which Things Went Wrong tended to start with humans losing or forgetting or deliberately leaving behind their terminal. It was a conventional opening, the equivalent of straying off the path in the wild woods in one age, or a car breaking down at night on a lonely road in another.
Iain BanksMots clés safety technology story isolation trope
[...] a familiar art historical narrative [...] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [...] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis.
Grant H. KesterMots clés art meaning assumptions fallacy tradition modernism models art-history trope avant-garde
Our heroes have arrived, then," the stranger said, his voice a soft, bubbly murmur.
"Excuse me?" Poison queries.
The odd creature put down his rod in a little wooden cradle that rested next to him and got up from the edge of the jetty. He looked them over with his vast, yellowish eyes.
"Hmm," he said gloomily. "You don't seem a bad bunch." He jostled past them and began to shuffle back towards his house. "At least you're not the typical muscle-bound warrior, beautiful sorceress, and amusing thief sidekick. By the waters, did that become stale fast.
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