(CBI lecture, Dublin, 2008. Speaking on the challenges presented by The Moorehawke Trilogy to the YA reader)
You can't choose any of these characters and say, 'Yes! I'm completely on your side. You are the good guy! You are the one I agree with.' Because at some stage along the way every single one of these characters will let you down. They may not want to. They may have no choice. But they will let you down.
Interview on The Skiffy and Fanty Show 2010. In response to query that young adults may not be open to the nuances/realism in Moorehawke:
‘(In fact)young adult readers seem to (be very inclined)to reading the (Moorehawke) books thematically. Some (not all) adult reviewers ... tend to be very plot oriented. Because the books are a slow release of information and very character driven ... (they) don’t reward impatient reading ... but young adults seem to be very patient readers. They’re very analytical as well. I get very analytical responses from my young adult readers.
Tag: moorehawke-trilogy young-adult-readers
Do you have an audience in mind when writing? (March 2010 Bookgeeks interview)
In terms of story, the only audience I have in mind is me. I’m very much aware that I can’t please everyone when it comes to story, so I might as well try to please myself. But in terms of communication with the reader, I am very aware of the audience. Readers can’t hear my tone of voice or watch my expressions; a sheet of white paper and a series of little black marks is all they have – and via that sheet of paper and series of little black marks I need to convey an entire universe, I need to make characters who breath. I can’t do that without bearing the audience in mind.
Tag: writing bookgeeks celine-kiernan moorehawke
(on teaching writing)
So many writers come to class with one question dominant in their mind, 'How do I make a living from this?' It's a fair enough question and one I always try to answer well - but it saddens me that it so often overshadows the more relevant questions of 'why am I writing' and 'what am I saying' and 'how do I keep it honest.
Tag: writing celine-kiernan moorehawke into-the-grey
On the Hunger Games Fan Race fail and the portrayal of POC in fantasy literature:
It is as if the POC in the text are walking around with a great big red sign over them for some editors and it reads I AM NOT A REAL CHARACTER. I AM A PROBLEM YOU MUST DEAL WITH. The white characters are permitted to saunter about with their physical descriptions hanging out all over the place, but best not make mention of dark skin or woolly/curly hair or dark eyes (Unless, of course, that character is white. None of my white-skinned dark-eyed characters had any problem being described as such. And I’m pretty sure that Sól’s curly hair never gave anyone a single pause for thought.) As I said, I understand the desire not to define a POC simply by their physical attributes, and I understand cutting physical descriptions if no other character is described physically – but pussyfooting about in this manner with POC is doing nothing but white wash the characters themselves. It’s already much too hard to get readers to latch onto the fact that some characters may not be caucasian, why must we dance about their physical description as if it were some kind of shameful dirty little secret. You know what it reminds me of? It reminds me of the way homosexuality used to only ever be hinted at in texts. It was up to the reader to ‘read between the lines’ or ‘its there if you look for it’ and all that total bullshit which used to be the norm.
Tag: editing race poc the-hunger-games-fan-race-fail
Write what is important to you, regardless of fashion or marketability or anything like that – all those things are so far out of your control that you may as well not think about them. Of course, this may mean you’ll never be published but that’s a risk we all take every single time we set hands to keyboard or pen to paper. For me, if I can sit back at the end of a project and say, ‘yes, I stayed honest, I said what I wanted to say, and I made it sing to the best of my ability’, then I’m happy enough. Of course, if anyone wants to buy the damned thing off me when I’m done, that’s jam I won’t refuse.
Celine KiernanTag: writing-craft
Celine Kiernan
Tag: war ghosts moorehawke into-the-grey-taken-away
YA heroines can choose to have sex
Celine KiernanTag: gender-equality ya-heroines
It is possible for YA heroines to go an entire book without discussing their love lives.
Celine KiernanTag: gender-equality ya-heroines
A YA heroine does not have to pick up a weapon nor wear men's clothing to be equal to her male counterparts.
Celine KiernanTag: gender-equality ya-heroines
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