The moon shone in the rocking horsr's eye, and in the mouse's eye, too, when Tolly fetched it out from under his pillow to see. The clock went tick-tock, and in the stillness he heard little bare feet running across the floor, then laughter and whispering, and a sound like the pages of a big book being turned over.

Lucy M. Boston

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if somthing accurs outside wht we call the natural order,its very smallness may be more immediately unnerving than,for istance,the eclipse of the sun to a tribe without astronomy,where holy awe must override any other feeling. very small cracks in our outer sell of reason let in very cold air.

memory in a house,1973

Lucy M. Boston

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What's thought cannot be unthought.

Lucy M. Boston

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When she opened her eyes they were confronted by a musical box against the opposite wall - one of those early Bavarian toys where mechanical figures perform to the tune.

'How odd,' she thought. The little stage showed a group of fiddlers, two couples in costumes like those of the ball she had just quitted, and in a doorway at the side, a gypsy or beggar man.

Very faintly the distant waltz came to her ears, but no footsteps ringing in the abandoned halls.

With her hand pressed to her unsteady heart, acting under a sudden compulsion, she pushed down the lever. Delicate plucked music started up; the fiddlers sawed with their clumsy arms in time to an ethereal waltz. The couples moved jerkily out and each raised an arm to clasp its partner. To various clicks and rumbles from under the floor they began to revolve with each other and to orbit round the room. Their movements were sinister because of being both reluctant and predestined. Here they were and this is was what they must do. ("Many Coloured Glass")

Lucy M. Boston

Tag: sinister automata mannequin toy

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