Cinema is a matter of what's in the frame and what's out
Martin ScorseseTag: film movies filmmaking cinema
Violence is not the answer, it doesn’t work any more. We are at the end of the worst century in which the greatest atrocities in the history of the world have occurred... The nature of human beings must change. We must cultivate love and compassion.
Martin ScorseseTag: peace
I had a fascination with 3D that goes back to the View-Master. I'd always dreamed of making a film in 3D. It's like a combination of theatre and film. There's something 3D gives to a movie that takes you to another land. Working with RealD creatively was a liberating experience. Thank you RealD for allowing us to make something like Hugo.
Martin ScorseseIf you’re looking for the origins of film culture in America, look no further than Amos Vogel.
Martin ScorseseI would have practically done all my films in 3D. There is something that 3D gives to the picture that takes you into another land and you stay there and it’s a good place to be. (…) It’s like seeing a moving sculpture of the actor and it’s almost like a combination of theater and film combined and it immerses you in the story more. I saw audiences care about the people more. The minute it started people wanted three things: color, sound and depth. You want to recreate life.
Martin ScorseseYour job is to get your audience to care about your obsessions.
Martin ScorseseAnd as I've gotten older, I've had more of a tendency to look for people who live by kindness, tolerance, compassion, a gentler way of looking at things." ~ Martin Scorsese
Martin ScorseseMinhas primeiras experiências com amor, basicamente, foram com meus pais. Então o conceito de amor em si veio através da doutrinação da igreja no começo dos anos 50.
Passei por uma porção de mudanças desde então. Mas olhando para quem nós somos como espécie, o amor parece realmente ser a única resposta. Então como alimentar isso? Como isso se desenvolve nos seres humanos? Em nossas ações, particularmente.
Muitas vezes, eu penso em 'A ponte de San Luis Rey [The Bridge of San Luis Rey - cinco pessoas numa ponte, todas são mortas por um terremoto. O romance de Thornton Wilder e o filme de Mary McGuckian, de 2004, perguntam se suas mortes foram parte de algum plano cósmico ou meros acidentes]. Parece não haver nenhuma razão particular para elas estarem lá. A enfermeira, no final - creio eu que era uma freira -, esta cuidando de todas as outras vítimas e de repente pensa: E se não existir Deus? Então ela olha em torno e diz para si mesma: Eles precisam de sua ajuda de um jeito ou de outro, e volta diretamente para o trabalho. Essa é a beleza da coisa.
The most interesting of the classic movie genres to me are the indigenous ones: the Western, which was born on the Frontier, the Gangster Film, which originated in the East Coast cities, and the Musical, which was spawned by Broadway. They remind me of jazz: they allowed for endless, increasingly complex, sometimes perverse variations. When these variations were played by the masters, they reflected the changing times; they gave you fascinating insights into American culture and the American psyche.
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