PLAINVILLE WAS A QUAINT picturesque town. Northern California’s version of Andy Griffith’s Mayberry. Bucolic enough to provide cinematic contrast for any low-budget stalk-and-slash film. Juxtaposition played just as important a role in still photography as it did in cinematography. Maybe that’s why Natalie Jones had picked Plainville for her final descent into darkness. The climactic scene in a comedic tragedy. Cast of one. Audience of one. Curtain closed.

Autore: Virna DePaul