The song was the late Ishihara Yujiro’s “Rusty Knife,” and Sakaguchi’s singing was so bad that it
gave the lyric a strange new pathos and poignancy. Listening to his version, Suzuki Midori was
reminded that no one ever said it would be easy to go on living in this world; Takeuchi Midori
pondered the noble truth that nobody’s life consists exclusively of happy times; Henmi Midori
vowed to remember that it’s best to keep an open heart and forgive even those who’ve
trespassed against us; and Tomiyama Midori had to keep telling herself that hitting rock bottom
is in fact the first step to a hopeful new future.

Autore: Ryū Murakami

The song was the late Ishihara Yujiro’s “Rusty Knife,” and Sakaguchi’s singing was so bad that it<br />gave the lyric a strange new pathos and poignancy. Listening to his version, Suzuki Midori was<br />reminded that no one ever said it would be easy to go on living in this world; Takeuchi Midori<br />pondered the noble truth that nobody’s life consists exclusively of happy times; Henmi Midori<br />vowed to remember that it’s best to keep an open heart and forgive even those who’ve<br />trespassed against us; and Tomiyama Midori had to keep telling herself that hitting rock bottom<br />is in fact the first step to a hopeful new future. - Ryū Murakami




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