John Updike, in that book you gave me, he said the dead make space. Do you know what I think? Updike doesn't know dick about what it's like to be a homicide cop in Baltimore.
Laura LippmanTag: homicide baltimore updike cop
Careful old-timer, your age is showing.”
“Hey, I’m only thirty-two. I’m in my prime, woman!”
She harrumphed. “Well, I’m a mere twenty-five and you’re way too old for me.”
Jay’s eyes smoldered as he whispered, “My experience is your gain.
Tag: erotic-romance alpha-male cop
That's what everyone thinks--they think being a cop is about punishing people for doing wrong. But that's not true. You know it isn't. It's about believing in people, believing in the good. In the will of people to do what's right despite their own instincts.
Scott SnyderTag: law police american vampire cop cashel
But it was definitely a car trailing me and quickly I prepared myself for a great dash. I began quickening my step and when it stopped alongside me I could stand it no longer.
"My father's a cop and he'll kill you," I screeched without looking.
"No, he's a barrister," I heard Michael Andretti say in a calm voice, "and he'll kill you if you don't get into this car.
Tag: michael cop josephine barrister
Are you the owner of this car?" A cop has something you don't have, something you gave him earlier.
"No, I'm just delivering it to Oklahoma City for a lady. "
"Do you have plates for this car?" A cop needn't be vicious, but he can be so, safely.
"Just those stickers."
"Do you have the registration?" Presidents and premiers can annihilate millions, but only a cop can explain away your solitary murder.
Tag: cops police cop policemen
In Woolrich's crime fiction there is a gradual development from pulp to noir. The earlier a story, the more likely it stresses pulp elements: one-dimensional macho protagonists, preposterous methods of murder, hordes of cardboard gangsters, dialogue full of whiny insults, blistering fast action. But even in some of his earliest crime stories one finds aspects of noir, and over time the stream works itself pure.
In mature Woolrich the world is an incomprehensible place where beams happen to fall, and are predestined to fall, and are toppled over by malevolent powers; a world ruled by chance, fate and God the malign thug. But the everyday life he portrays is just as terrifying and treacherous. The dominant economic reality is the Depression, which for Woolrich usually means a frightened little guy in a rundown apartment with a hungry wife and children, no money, no job, and desperation eating him like a cancer. The dominant political reality is a police force made up of a few decent cops and a horde of sociopaths licensed to torture and kill, whose outrages are casually accepted by all concerned, not least by the victims. The prevailing emotional states are loneliness and fear. Events take place in darkness, menace breathes out of every corner of the night, the bleak cityscape comes alive on the page and in our hearts.
("Introduction")
Tag: fiction crime police noir pulp cop the-great-depression cornell-woolrich
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