She looked like something that might have occured to Ibsen in one of his less frivolous moments.
P.G. WodehouseTag: humor expression moroseness unhappiness sombre-mood ibsen
Nevertheless the severance is rather casual and it drops a stain on our admiration of Nora. Ibsen has put the leaving of her children on the same moral and emotional level as the leaving of her husband and we cannot, in our hearts, asssent to that. It is not only the leaving but the way the play does not have time for suffering, changes of heart. Ibsen has been too much a man in the end. He has taken the man's practice, if not his stated belief, that where self-realization is concerned children shall not be an impediment.
Elizabeth HardwickTag: writing motherhood ibsen a-doll-s-house feminsim
Ghosts! […] I almost think we are all of us ghosts. It is not only what we have inherited from our father and mother that ‘walks’ in us. It is all sorts of dead ideas, and lifeless old beliefs, and so forth. They have no vitality, but they cling to us all the same, and we cannot shake them off. Whenever I take up a newspaper, I seem to see ghosts gliding between the lines. There must be ghosts all the country over, as thick as the sands of the sea. And then we are, one and all, so pitifully afraid of the light.
Henrik IbsenZar nije neobično dražesna? To je bilo mišljenje i čitavog društva. Ali užasno je tvrdoglavo - to slatko malo stvorenje.
Henrik IbsenTag: nora ibsen a-doll-s-house henrik
Odlazak uvijek mora biti efektan.
Henrik IbsenTag: nora ibsen a-doll-s-house henrik
A onda kad polazimo, i kad stavljam šal oko tvojih nježnih, mladenačkih ramena - na taj divni zatiljak - onda zamišljam da si ti moja mlada nevjesta i da upravo dolazimo iz crkve, da te po prvi put vodim u svoj stan, da sam po prvi put nasamo s tobom - sasvim sam s tobom, ti mlada, ustreptala ljepotice! Čitavo ovo veče bila si moja čežnja.
Henrik IbsenTag: nora ibsen a-doll-s-house henrik
A Doll’s House is about money, about the way it turns locks.
Elizabeth HardwickTag: ibsen a-doll-s-house
The social world of Ibsen’s plays is greatly restricted, enclosed in a narrow frame, cut off by the very geography of Norway; the long, dark winters make for social repetition…Everyone else you know is right there, so to speak. This small-town life has moral consequences always; the players live with the threat of trouble over the most petty matters.
Elizabeth HardwickTag: ibsen
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