They say we have we created the man to end all wars; I say we have created a man to end all worlds.

Alan Moore


Weiter zum Zitat


We have laboured long to build a heaven, only to find it populated with horrors.

Alan Moore

Stichwörter: progress



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American love — like coke in green glass bottles...they don't make it anymore.

Alan Moore

Stichwörter: love



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In order to be able to make it, you have to put aside the fear of failing and the desire of succeeding. You have to do these things completely and purely without fear, without desire. Because things that we do without lust of result are the purest actions we shall ever take.

Alan Moore

Stichwörter: mindscape-of-alan-moore



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None of you understand. I'm not locked up in here with YOU. You're locked up in here with ME.

Alan Moore

Stichwörter: graphic-novels



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Real life is messy, inconsistent, and it's seldom when anything ever really gets resolved. It's taken me a long time to realize that.

Alan Moore

Stichwörter: life hollis-mason under-the-hood



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Heard joke once: Man goes to doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says, "Treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up." Man bursts into tears. Says, "But doctor...I am Pagliacci.

Alan Moore


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It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.

Alan Moore

Stichwörter: time fiction crime photographs



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All we ever see of stars are their old photographs.

Alan Moore

Stichwörter: stars dr-manhatan



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When the gap between the world of the city and the world my grandfather had presented to me as right and good became too wide and depressing to tolerate, I'd turn to my other great love, which was pulp adventure fiction. Despite the fact that [he] would have had nothing but scorn and loathing for all of those violent and garish magazines, there was a sort of prevailing morality in them that I'm sure he would have responded to. The world of Doc Savage and The Shadow was one of absolute values, where what was good was never in the slightest doubt and where what was evil inevitably suffered some fitting punishment. The notion of good and justice espoused by Lamont Cranston with his slouch hat and blazing automatics seemed a long way from that of the fierce and taciturn old man I remembered sitting up alone into the Montana night with no company save his bible, but I can't help feeling that if the two had ever met they'd have found something to talk about. For my part, all those brilliant and resourceful sleuths and heroes offered a glimpse of a perfect world where morality worked the way it was meant to. Nobody in Doc Savage's world ever killed themselves except thwarted kamikaze assassins or enemy spies with cyanide capsules. Which world would you rather live in, if you had the choice?

Alan Moore

Stichwörter: morality fiction crime pulp-fiction



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