Loneliness does not come from having no people around you, but from being unable to communicate the things that seem important to you.
C.G. JungO excesso de animalidade deforma o
homem cultural; o excesso de cultura cria animais doentes. Este
dilema mostra toda a insegurança que o erotismo traz ao homem. No
fundo, é algo muito poderoso que, como a natureza, pode ser
dominado e usado, como se fosse impotente. Mas o triunfo sobre a
natureza se paga muito caro. A natureza dispensa quaisquer declarações
de princípios, contenta-se com tolerância e sábias medidas.
Stichwörter: psychology-spirituality
O paciente precisa aprender a distinguir o eu do não-eu, isto é, da psique coletiva. Assim, adquire o material com que vai ter que se haver daí em diante e por muito tempo ainda. A energia antes aplicada de forma inaproveitável, patológica, encontra seu campo apropriado! Para diferenciar o eu do não-eu é indispensável que o homem — na função de eu — se conserve em terra firme, isto é, cumpra seu dever
em relação à vida e, em todos os sentidos, manifesta sua vitalidade como
membro ativo da sociedade humana. Tudo quanto deixar de fazer nesse sentido cairá no inconsciente e reforçará a posição do mesmo. E ainda por cima ele se arrisca a ser engolido pelo inconsciente. Essa infração, porém, é
severamente punida.
Stichwörter: psychology
إن في داخل كلٍّ منا شخصاً آخر لا نعرفه
C.G. JungStichwörter: المتخفي
When the alchemist speaks of Mercurius, on the face of it he means quicksilver (mercury), but inwardly he means the world-creating spirit concealed or imprisoned in matter. The dragon is probably the oldest pictoral symbol in alchemy of which we have documentary evidence. It appears as the Ouroboros, the tail-eater, in the Codex Marcianus, which dates from the tenth or eleventh century, together with the legend ‘the One, the All’. Time and again the alchemists reiterate that the opus proceeds from the one and leads back to the one, that it is a sort of circle like a dragon biting its own tail. For this reason the opus was often called circulare (circular) or else rota (the wheel). Mercurius stands at the beginning and end of the work: he is the prima materia, the caput corvi, the nigredo; as dragon he devours himself and as dragon he dies, to rise again in the lapis. He is the play of colours in the cauda pavonis and the division into the four elements. He is the hermaphrodite that was in the beginning, that splits into the classical brother-sister duality and is reunited in the coniunctio, to appear once again at the end in the radiant form of the lumen novum, the stone. He is metallic yet liquid, matter yet spirit, cold yet fiery, poison and yet healing draught - a symbol uniting all the opposites.
C.G. JungIt [Joyce's "Ulysses"] plays on the reader's sympathies to his own undoing unless sleep kindly intervenes and puts a stop to this drain of energy. Arrived at page 135, after making several heroic efforts to get at the book, to "do it justice", as the phrase goes, I fell at last into profound slumber.
C.G. JungStichwörter: ulysses joyce james-joyce ulysses-novel
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The book [Joyce's "Ulysses"] can just as well be read backwards, for it has no back and no front, no top and no bottom. Everything could easily have happened before, or might have happened afterwards. You can read any of the conversations just as pleasurably backwards, for you don't miss the point of the gags. Every sentence is a gag, but taken together they make no point. You can also stop in the middle of a sentence--the first half still makes sense enough to live by itself, or at least seems to. The whole work has the character of a worm cut in half, that can grow a new head or a new tail as required.
C.G. JungStichwörter: ulysses joyce james-joyce ulysses-novel
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If it be true that there can be no metaphysics transcending human reason, it is no less true that there can be no empirical knowledge that is not already caught and limited by the a priori structure of cognition.
C.G. JungStichwörter: reason metaphysics cognition archetypes a-priori
Pogled se ti bo razjasnil šele, ko se boš zazrl v svoje srce. Kdor zre navzven, sanja. Kdor gleda navznoter, se prebudi.
C.G. JungStichwörter: inspirational
Is it worth the lion's while to terrify the mouse?
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