This is an inevitable and easily recognizable stage in every revolutionary movement: reformers must expect to be disowned by those who are only too happy to enjoy what has been won for them.
Doris LessingStichwörter: success idealism revolution
I write all these remarks with exactly the same feeling as if I were writing a letter to post into the distant past: I am so sure that everything we now take for granted is going to be utterly swept away in the next decade.
(So why write novels? Indeed, why! I suppose we have to go on living as if ...)
Stichwörter: future writing novel
At last I understood that the way over, or through this dilemma, the unease at writing about 'petty personal problems' was to recognize that nothing is personal, in the sense that it is uniquely one's own. Writing about oneself, one is writing about others, since your problems, pains, pleasures, emotions—and your extraordinary and remarkable ideas—can't be yours alone. [...] Growing up is after all only the understanding that one's unique and incredible experience is what everyone shares.
Doris LessingIt is my belief...that the talents every child has, regardless of his official 'I.Q,' could stay with him through life, to enrich him and everybody else, if these talents were not regarded as commodities with a value in the success-stakes.
Doris LessingStichwörter: education
But there is no doubt that to attempt a novel of ideas is to give oneself a handicap: the parochialism of our culture is intense. For instance, decade after decade bright young men and women emerge from their universities able to say proudly: 'Of course I know nothing about German literature.' It is the mode. The Victorians knew everything about German literature, but were able with a clear conscience not to know much about the French.
Doris LessingStichwörter: education writing novel
As in the political sphere, the child is taught that he is free, a democrat, with a free will and a free mind, lives in a free country, makes his own decisions. At the same time he is a prisoner of the assumptions and dogmas of his time, which he does not question, because he has never been told they exist. By the time a young person has reached the age when he has to choose (we still take it for granted that a choice is inevitable) between the arts and the sciences, he often chooses the arts because he feels that here is humanity, freedom, choice. He does not know that he is already moulded by a system: he does not know that the choice itself is the result of a false dichotomy rooted in the heart of our culture. Those who do sense this, and who don't wish to subject themselves to further moulding, tend to leave, in a half-unconscious, instinctive attempt to find work where they won't be divided against themselves. With all our institutions, from the police force to academia, from medicine to politics, we give little attention to the people who leave—that process of elimination that goes on all the time and which excludes, very early, those likely to be original and reforming, leaving those attracted to a thing because that is what they are already like. A young policeman leaves the Force saying he doesn't like what he has to do. A young teacher leaves teaching, here idealism snubbed. This social mechanism goes almost unnoticed—yet it is as powerful as any in keeping our institutions rigid and oppressive.
Doris LessingStichwörter: education systevolution
And form this kind of thought has emerged a new conclusion: which is that it is not only childish of a writer to want readers to see what he sees, to understand the shape and aim of a novel as he sees it—his wanting this means that he has not understood a most fundamental point. Which is that the book is alive and potent and fructifying and able to promote thought and discussion only when its plan and shape and intention are not understood, because that moment of seeing the shape and plan and intention is also the moment when there isn't anything more to be got out of it.
Doris LessingStichwörter: writing
Ms. Lessing points to a current dogma: political correctness. "It's a continuation of the old Communist Party. It is! The same words, the same attitudes... 'the Communist Party has made a decision and this is the line."
At first, she says, political correctness had a good beginning; she remembers saying that the language that we use is sexist, racist and so on. But then, "that became a dogma. Because we love a dogma,you know, we really do. We can never just let things develop easily from an idea, it seems to me there's always a group of fanatics who grasp it and make it a dogma.
Das Zitat auf Deutsch anzeigen
Das Zitat auf Französisch anzeigen
Das Zitat auf Italienisch anzeigen
Any human anywhere will blossom in a hundred unexpected talents and capacities simply by being given the opportunity to do so.
Doris LessingStichwörter: opportunity
There is only one real sin, and that is to persuade oneself that the second-best is anything but the second-best
Doris LessingStichwörter: second-best settle
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