He didn't look back but he knew his wife and his brother's wife, all the women of the house, would be flying, as if into battle, to make East Slope as ready as it could ever be for what had arrived.

Guy Gavriel Kay


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You're too clever to be a soldier." Then she shook her head. "Don't say it. I know. We need our soldiers to be clever. I do know."

"Thank you," he murmured. "You can do all of the conversation. Make it easier for me.

Guy Gavriel Kay


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Some writers later, describing the events of that night and day, wrote that Wan'yen of the Altai had seen a spirit-dragon of the river and become afraid. Writers do that sort of thing. They like dragons in their tales.

Guy Gavriel Kay


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He wasn't a poet, not everyone is.

Guy Gavriel Kay


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A writer’s brush is a warrior’s bow, the letters it shapes are arrows that must hit the mark on the page. The calligrapher is an archer, or a general on a battlefield. Someone wrote that long ago. She feels that way this morning. She is at war.

Guy Gavriel Kay

Stichwörter: writing



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I love the way folktale and fantasy tap into the roots of story telling. The paradox, for me, is that by moving a story into the fantastic we can actually bring it closer to the reader, not move it further away. It is more than an escape. When we read of the only daughter of a fisherman (or the third son of a woodcutter) in a fairy tale, we are all that character. That's the underlying pulse beat of such tales. Using the fantastic as a prism for the past, if done properly, removes the tale from distancing specificity. It can't just be read as unique to a time and place; it is universalized in interesting, powerful ways. When I wrote Tigana, about the way tyranny tries to erase identity in conquered peoples, the fantasy setting seems to have done exactly that: I'm asked in places ranging from Korea to Poland to Croatia to Quebec, "Were you writing about us?"

I was. All of them. That is the point. The fantastic is a tool in the writer's arsenal, as potentially powerful as any there is, and any tool we have works to the benefit of the reader.

Guy Gavriel Kay

Stichwörter: experience writing fantasy folktale



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We are not gods. We make mistakes. We do not live very long.

Sometimes someone grinds ink, mixes it with water, arranges paper, takes up a brush to record our time, our days, and we are given another life in those words.

Guy Gavriel Kay


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When I'm all grown up, come what may,
I'll build a boat to carry me away

Guy Gavriel Kay

Stichwörter: travel sailing leaving boat going-away



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It can be hard to write a skillfully entertaining fiction, but a great book wants to be more, and wants more from us.

Guy Gavriel Kay

Stichwörter: books writing quality expectations



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