one could drown in irrelevance.

Ian McEwan


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This is the pre-verbal language that linguists call Mentalese. Hardly a language, more a matrix of shifting patterns, consolidating and compressing meaning in fractions of a second, and blending it inseparably with its distinctive emotional hue. ... So that when a flash of red streaks in across his left peripheral vision ... it already has the quality of an idea ... unexpected and dangerous, but entirely his, and not of the world beyond himself.

Ian McEwan


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The evasions of her little novel were exactly those of her life. Everything she did not wish to confront was also missing from her novella--and was necessary to it.

Ian McEwan


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But to do its noticing and judging, poetry balances itself on the pinprick of the moment. Slowing down, stopping yourself completely, to read and understand a poem is like trying to acquire an old-fashioned skill....

Ian McEwan


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At times this biography made him comfortably nostalgic for a verdant, horse-drawn, affectionate England; at others he was faintly depressed by the way a whole life could be contained by a few hundred pages - bottled, like homemade chutney. And by how easily an existence, its ambitions, networks of family and friend, all its cherished stuff, solidly possessed, could so entirely vanish.

Ian McEwan


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But what really happened? The answer is simple: the lovers survive and flourish.

Ian McEwan

Stichwörter: love



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Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.

Ian McEwan

Stichwörter: lust erotic



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No one's been in the kitchen since he left it. On the table are his cup, Theo's empty water bottle and, beside it, the remote control. It's stil faintly surprising, this fidelity of objects, sometimes reassuring, sometimes sinister.

Ian McEwan


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He did. He researched her. Someone told him that she had a special interest in John Milton. It did not take long to discover the century to which this man belonged. A third-year literature student in Beard’s college who owed him a favor (for procuring tickets to a Cream concert) gave him an hour on Milton, what to read, what to think. He read “Comus” and was astounded by its silliness. He read through “Lycidas,” “Samson Agonistes,” and “Il Penseroso”— stilted and rather prissy in parts, he thought. He fared better with “Paradise Lost” and, like many before him, preferred Satan’s party to God’s. He, Beard, that is, memorized passages that appeared to him intelligent and especially sonorous. He read a biography, and four essays that he had been told were pivotal. The reading took him one long week. He came close to being thrown out of an antiquarian bookshop in the Turl when he casually asked for a first edition of “Paradise Lost.” He tracked down a kindly tutor who knew about buying old books and confided to him that he wanted to impress a girl with a certain kind of present, and was directed to a bookshop in Covent Garden where he spent half a term’s money on an eighteenth-century edition of “Areopagitica.” When he speed-read it on the train back to Oxford, one of the pages cracked in two. He repaired it with Sellotape.

Ian McEwan


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When we go on about the big things, the political situation, global warming, world poverty, it all looks really terrible, with nothing getting better, nothing to look forward to. But when I think small, closer in-you know, a girl I've just met, or this song we'regoing to do with Chas, or snowboarding next month, then it looks great. So this is going to be my motto - think small.

Ian McEwan


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