3. Alegerea
Cruta-l pana moare.
Chinuie-l pana traieste.
- Ti-ai pus vreodata intrebarea de ce evolutia speciilor si-a dat atata osteneala sa ajunga la aceasta infinita diversitate de forme si dimensiuni? Asta ti se pare tot o inutila punere in scena?
John FowlesСтрашна не сама смерть, не смертная боль от ножей жатки, не вопль, не окровавленные обрубки ног… но то, что так легко умереть, уйти из жизни прежде, чем снова созреет пшеница.
John FowlesThere are three types of intelligent persons: the first so intelligent that being called very intelligent must seem natural and obvious; the second sufficiently intelligent to see that he is being flattered, not described; the third so little intelligent that he will believe anything. I knew I belonged to the second kind.
John FowlesStichwörter: intelligence flattery types-of-intelligence
I had always believed, and not only out of cynicism, that a man and a woman could tell in the first ten minutes whether they wanted to go to bed together; and that the time that passed after those first ten minutes represented a tax, which might be worth paying if the article promised to be really enjoyable, but which nine times out of ten became rapidly excessive.
John FowlesStichwörter: sex attraction
She's always looking for poetry and passion and sensitivity, the whole Romantic kitchen. I live on a rather simpler diet.'
'Prose and pudding?'
'I don't expect attractive men necessarily to have attractive souls.
Stichwörter: passion poetry romantic
You may think novelists always have fixed plans to which they work, so that the future predicted by Chapter One is always inexorably the actuality of Chapter Thirteen. But novelists write for countless different reasons: for money, for fame, for reviewers, for parents, for friends, for loved ones; for vanity, for pride, for curiosity, for amusement: as skilled furniture makers enjoy making furniture, as drunkards like drinking, as judges like judging, as Sicilians like emptying a shotgun into an enemy's back. I could fill a book with reasons, and they would all be true, though not true of all. Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.
John FowlesStaring out to sea, I finally forced myself to stop thinking of her as someone still somewhere, if only in memory, still obscurely alive, breathing, doing, moving, but as a shovelful of ashes already scattered; as a broken link, a biological dead end, an eternal withdrawal from reality, a once complex object that now dwindled, dwindled, left nothing behind except a l like a fallen speck of soot on a blank sheet of paper.
John FowlesStichwörter: death memories death-of-a-loved-one
I am Mrs. Poulteney. I have come to take up residence. Kindly inform your Master."
"His Infinitude has been informed of your decease, ma'am. His angels have already sung a Jubilate in celebration of the event."
"That is most proper and kind of Him." And the worthy lady, pluming and swelling, made to sweep into the imposing white hall she saw beyond the butler's head. But the man did not move aside. Instead, he rather impertinently jangled some keys he chanced to have in his hand.
"My man! Make way. I am she. Mrs. Poulteney of Lyme Regis."
"Formerly of Lyme Regis, ma'am. And now of a much more tropical abode."
With that, the brutal flunkey slammed the door in her face.
Duty is but a pot. It holds whatever is put in it, from the greatest evil to the greatest good.
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