When I was a child I truly loved:
Unthinking love as calm and deep
As the North Sea. But I have lived,
And now I do not sleep.
Stichwörter: life experience love disappointment maturity
So childhood too feels good at first, before one happens to notice the terrible sameness, age after age.
John GardnerStichwörter: childhood introspection
Nothing can be more limiting to the imagination than only writing about what you know
John GardnerFiction does not spring into the world fully grown, like Athena. It is the process of writing and rewriting that makes a fiction original, if not profound.
John GardnerAll order, I've come to understand, is theoretical, unreal — a harmless, sensible, smiling mask men slide between the two great, dark realities, the self and the world — two snake pits.
John GardnerStichwörter: reason illusion order
He could never forgive her for "cheating" on his father. His words, not hers. A child's word. "Selfish bitch," he'd called her once, he who knew nothing of selfishness or bitchery, no more than he knew of selflessness or whatever the opposite of bitchery was (sophrosyne?), knew only his own colossal ego, too self-centered even to understand why he couldn't simply dismiss her as evil and forget it. Sweet Christ how she hated him! But no. No more than she hated his father. It was past that. Caught in impossibilities, but knowing, at least, why she hated the part of herself she hated and why she could not escape, ever, for all the grinning cow-catchers and whistling boats and twinkling propellers in Christendom. Ah, Christendom! she thought.
John GardnerHe could forget all these people, just like that, become fond again of strangers and leave them too.
John GardnerHe was saner than anyone --had fallen out of the world of illusion: love, interesting work, hope for the future.
John GardnerMickelsson looked at her, surprised to discover that she was stupid.
John GardnerSo, when I write a piece of fiction I select my characters and settings and so on because they have a bearing, at least to me, on the old unanswerable philosophical questions. And as I spin out the action, I’m always very concerned with springing discoveries -- actual philosophical discoveries. But at the same time I’m concerned -- and finally more concerned -- with what the discoveries do to the character who makes them, and to the people around him. It’s that that makes me not really a philosopher, but a novelist.
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