We muddle along, we let life happen to us, we gradually build up a store of memories. There is the question of accumulation, but not in the sense that Adrian meant, just the simple adding up and adding on of life. And as the poet pointed out, there is a difference between addition and increase.
Julian BarnesI remember, in no particular order:
- a shiny inner wrist;
- steam rising from a wet sink as a hot frying pan is laughingly tossed into it;
- gouts of sperm circling a plughole, before being sluiced down the full length of a tall house;
- a river rushing nonsensically upstream, its wave and wash lit by half a dozen chasing torchbeams;
- another river, broad and grey, the direction of its flow disguised by a stiff wind exciting the surface;
- bathwater long gone cold behind a locked door. This last isn't something I actually saw, but what you end up remembering isn't always the same as what you have witnessed.
Mariac tells us about the books he's read, the painters he's liked, the plays he's seen. He finds himself by looking in the works of others. He defines his own faith by a passionate anger against Gide the Luciferian. Reading his 'memories' is like meeting a man on a train who says, 'Don't look at me; that's misleading. If you want to know what I'm like, wait until we're in a tunnel, and then study my reflection in the window.' You wait, and look, and catch a face against a shifting background of sooty walls, cables, and sudden brickwork. The transparent shape flickers and jumps, always a few feet away. You become accustomed to its existence, you move with its movements; and though you know its presence is conditional, you feel it to be permanent. Then there is a wail from ahead, a roar and a burst of light; the face is gone for ever.
Julian BarnesStichwörter: life existence passion anger condition misleading
Back in 'my day' – though I didn't claim ownership of it at the time, this is what used to happen: you met a girl, you were attracted to her, you tried to ingratiate yourself, you would invite her to a couple of social events – for instance the pub – and then ask her out on her own, then again, and after a goodnight kiss of variable heat, you were somehow, officially, 'going out' with her. Only when you were semi-publicly committed did you discover what her sexual policy might be. And sometimes this meant her body would be as tightly guarded as a fisheries exclusion zone.
Julian BarnesFor most of us, the first experience of love, even if it doesn’t work out – perhaps especially when it doesn’t work out – promises that here is the thing that validates, that vindicates life. And though subsequent years might alter this view, until some of us give up on it altogether, when love first strikes, there’s nothing like it, is there? Agreed?.
Julian BarnesStichwörter: love
Why do you think this great nation of ours loves the Royal Family?
Gun Law. If we didn't have it, you'd be asking the opposite question.
What was the point of scientific advance without moral advance? The railway would merely permit more people to move about, meet and be stupid together
Julian BarnesStichwörter: science progress morality stupidity
If I hadn’t decided on cremation and a scattering, I could have used the phrase as an epitaph on a chunk of stone or marble: “Tony Webster—He Never Got It.” But that would be too melodramatic, even self-pitying. How about “He’s on His Own Now”? That would be better, truer. Or maybe I’ll stick with: “Every Day Is Sunday.
Julian BarnesThere's something wrong with the young who can't be fascinated by a genius.
Julian BarnesWhat does the novel do? It tells beautiful, shapely lies which enclose hard, exact truths.
Julian BarnesStichwörter: novels
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