The most important thing I learned on Tralfamadore was that when a person dies he
only appears to die. He is still very much alive in the past, so it is very silly for people to
cry at his funeral. All moments, past, present and future, always have existed, always will
exist. The Tralfamadorians can look at all the different moments just that way we can
look at a stretch of the Rocky Mountains, for instance. They can see how permanent all
the moments are, and they can look at any moment that interests them. It is just an
illusion we have here on Earth that one moment follows another one, like beads on a
string, and that once a moment is gone it is gone forever.
'When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad
condition in that particular moment, but that the same person is just fine in plenty of other
moments. Now, when I myself hear that somebody is dead, I simply shrug and say what
the Tralfamadorians say about dead people, which is "so it goes.
در ادامه مقالهی وستلیک آمده بود که کارگران بردهسانی که ناس را به دار آویخته بودند درست نمیدانستند که او کی هست؛ فقط میدانستند شخصیت مهمی است، همین. علت دار زدن ناس همان نفس ِ دار زدن بود و بس؛ از اعدام یک شخصیت مهم احساس رضایت خاطر میکردند .
Kurt Vonnegut Jr.Stichwörter: mother-night شب-مادر
I looked through the Gideon Bible in my motel room for tales of great destruction. The sun was risen upon the Earth when Lot entered into Zo-ar, I read. Then the Lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of Heaven; and He overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which grew upon the ground.
So it goes.
Those were vile people in both those cities, as is well known. The World was better off without them.
And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human.
So she was turned to a pillar of salt. So it goes.
The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present and future, always have existed, always will exist. [...] They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.
Kurt Vonnegut Jr.Stichwörter: slaughterhousefive-five
Now lend me your ears. Here is Creative Writing 101:
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things—reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.
Stichwörter: writing-101
All men are jerks, all women are psychotic.
Kurt Vonnegut Jr.I became a so-called science fiction writer when someone decreed that I was a science fiction writer. I did not want to be classified as one, so I wondered in what way I'd offended that I would not get credit for being a serious writer. I decided that it was because I wrote about technology, and most fine American writers know nothing about technology. I got classified as a science fiction writer simply because I wrote about Schenectady, New York. My first book, Player Piano, was about Schenectady. There are huge factories in Schenectady and nothing else. I and my associates were engineers, physicists, chemists, and mathematicians. And when I wrote about the General Electric Company and Schenectady, it seemed a fantasy of the future to critics who had never seen the place.
Kurt Vonnegut Jr.Stichwörter: science-fiction schenectady
It was not heartbroken rage against injustice that froze me. I had taught myself that a human being might as well look for diamond tiaras in the gutter as for rewards and punishments that were fair.
Kurt Vonnegut Jr....and I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.
Kurt Vonnegut Jr.I speak gibberish to the civilized world and it replies in kind.
Kurt Vonnegut Jr.Stichwörter: life philosophy civilization depression
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