They seemed to be able to choose. We seemed to be able to choose, then. We were a society dying of too much choice.
Margaret AtwoodStichwörter: choices
If it's a story I'm telling, then I have control over the ending...
But if it's a story, even in my head, I must be telling it to someone.
You don't tell a story only to yourself. There's always someone else. Even when there is no one.
The moment of betrayal is the worst, the moment when you know beyond any doubt that you've been betrayed: that some other human being has wished you that much evil
Margaret AtwoodEvery time the women appear, Snowman is astonished all over again. They're every known colour from the deepest black to whitest white, they're various heights, but each one of them is admirably proportioned. Each is sound of tooth, smooth of skin. No ripples of fat around their waists, no bulges, no dimpled orange-skin cellulite on their thighs. No body hair, no bushiness. They look like retouched fashion photos, or ads for a high priced workout program.
Maybe this is the reason that these women arouse in Snowman not even the faintest stirrings of lust. It was the thumbprints of human imperfection that used to move him, the flaws in the design: the lopsided smile, the wart next to the navel, the mole, the bruise. These were the places he'd single out, putting his mouth on them. Was it consolation he'd had in mind, kissing the wound to make it better? There was always an element of melancholy involved in sex. After his indiscriminate adolescence he'd preferred sad women, delicate and breakable, women who'd been messed up and who needed him. He'd liked to comfort them, stroke them gently at first, reassure them. Make them happier, if only for a moment. Himself too, of course; that was the payoff. A grateful woman would go the extra mile. But these new women are neither lopsided nor sad: they're placid, like animated statues. They leave him chilled.
I tell, therefore you are.
Margaret AtwoodI won't fatten them in cages, though. I won't ply them with poisoned fruit items. I won't change them into clockwork images or talking shadows. I won't drain out their life's blood. They can do all those things for themselves.
Margaret AtwoodStichwörter: youth
What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.
Margaret AtwoodStichwörter: work career english-literature university
...the values ascribed to the Indian will depend on what the white writer feels about Nature, and America has always had mixed feelings about that. At one end of the spectrum is Thoreau, wishing to immerse himself in swamps for the positive vibrations; at the other end is Benjamin Franklin, who didn't like Nature. [p.91]
Margaret AtwoodStichwörter: literary-criticism nature native-americans
He has to find more and better ways of occupying his time. His time, what a bankrupt idea, as if he's been given a box of time belonging to him alone, stuffed to the brim with hours and minutes that he can spend like money. Trouble is, the box has holes in it and the time is running out, no matter what he does with it.
Margaret AtwoodStichwörter: time
At school, he enacted a major piece of treachery against his parents. His right hand was Evil Dad, and his left was Righteous Mom. Evil Dad blustered and theorized and dished out pompous bullshit. Righteous Mom complained and accused. In Righteous Mom's cosmology, Evil Dad was the sole source of hemmoroids, kleptomania, global conflict, bad breath, tectonic-plate fault lines, and clogged drains, as well as every migraine headache and menstrual cramp Righteous Mom had ever suffered.
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