I never traded my humanity for my long life, Doctor. I've always remembered my roots....You worked so hard to be like your Elder master that you've forgotten what it is like to feel human - to be human. And we humans...have the capacity to feel another creature's pain. It is what lifted humani above the Elders, it is what made them great.
Michael ScottAnd that was you?" Dee breathed, looking from Marethyu to Abraham. "I thought I was working for Isis and Osiris."
Death's blue eyes crinkled. "You are, but sometimes you-and they-are working for me.
The day we stop learning is the day we die.
Michael ScottStichwörter: inspirational dark foreboding
Knowledge itself is never dangerous, it is how that knowledge is used that is dangerous
Michael ScottTen thousand years ago, her husband, Abraham the Mage, had presented her with the weapons and armor. “To keep you safe,” he said, his speech a slurred mumble. “Now and always. When you wear it, think of me.”
“I’ll think of you even when I’m not wearing it,” she promised, and never a day went by when she did not think of the man who had worked so hard and sacrificed so much to make and save the world. The memory of him was vivid.
Abraham stood tall and slender in a darkened room at the top of the crystal tower, the Tor Ri. He was wrapped in shadow, turned away from her so she wouldn’t see the Change that had almost completely claimed his flesh, transforming it to solid gold. She remembered turning him to the light so she could look at him for what she knew might be the very last time. Then she had held him, pressing his flesh and metal against her skin, and wept against his shoulder. And when she looked into his face, a single tear, a solid bead of gold, rolled down his cheek. Rising up on her toes, she had kissed the tear off his face, swallowing it. Tsagaglalal pressed her hands to her stomach. It nestled within her still.
I’ve seen this happen before. Elder flesh works wonders on their systems, making them huge. And once they get a taste for Elder flesh, nothing else will satisfy them. It’s probably after me now.” Then, when the creature ignored him, he added, “Or not . . .
Michael ScottThe small group hugged one another quickly. Although nothing was said, they knew this could be the last time they ever saw one another again.
Saint-Germain kissed Joan before they parted. “I love you,” he said softly.
She nodded, slate-grey eyes shimmering behind tears.
“When all this is over, I suggest we go on a second honeymoon,” he said.
“I’d like that.” Joan smiled. “Hawaii is always nice at this time of year. And you do know I love it there.”
Saint-Germain shook his head. “We’re not going anywhere that has a volcano.”
“I love you,” she whispered, and turned away before they could see each other cry.
Or maybe he just rediscovered his humanity,” Niten said quietly. “Maybe someone reminded him that he is human first, immortal second.”
“You said as if you are speaking from personal experience,” Perenelle said.”
“I am,” he said softly. “There was a time when I was . . . wild.”
“What happened?”
He smiled. “I met a redheaded Irish warrior.”
“And fell in love?” she teased.
“I didn’t say that.”
“You didn’t have to.
Two against thirty two,” Niten said. “Good odds.”
“I’ve never fought the Spartoi before,” Prometheus admitted. “I only know of them by their reputation—and it’s fearsome.”
“We have an equal reputation,” Niten said.
“Well, you do,” the Elder said. “I was never that much of a fighter. And after the fall of the island, I rarely took up weapons again.”
“Fighting is a skill you never forget,” Niten said, a touch of sadness in his voice. “I fought my first duel when I was thirteen. I’ve been fighting ever since.”
“But you are more than just a swordsman,” Prometheus said. “You are an artist, a sculptor and a writer.”
“No man is ever just one thing,” Niten answered. His shoulder dropped and his short sword appeared in his left hand, water droplets sparkling from the blade. “But first and foremost, I was always a warrior.” He jabbed his sword into the fog and stirred it like liquid.
The small Japanese immortal sat cross-legged, his two swords resting flat on the ground before him. He folded his hands in his lap, closed his eyes and breathing through his nose, forcing the chill night air deep into his chest. He held it for a count of five, then shaped his lips into an O and blew it out again, puncturing a tiny hole in the swirling fog before his face.
Even though he would never admit it to anyone, Niten loved this moment. He had no affection for what was to come, but this brief time, when all preparations for battle were made and there was nothing left to do but wait, when the world felt still, as if it was holding its breath, was special. This moment, when he was facing death, was when he felt completely, fully alive.
He’d still been called Miyamoto Musashi and had been a teenager when he’d first discovered the genuine beauty of the quiet moment before a fight. Every breath suddenly tasted like the finest food, every sound was distinct and divine, and even on the foulest battlefields, his eyes would be drawn to something simple and elegant: a flower, the shape of a branch, the curl of a cloud.
A hundred years ago, Aoife had given him a book as a birthday present. He hadn’t had the heart to tell her that she’d missed his birthday by a month, but he had treasured the book, the first edition of The Professor by Charlotte Bronte. It included a line he had never forgotten: In the midst of life we are in death. Years later, he’d heard Ghandi take the same words and shift them around to create something that resonated deeply within him: In the midst of death life persists.
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