There will come a moment when there's nothing you want more than us. Together. When you're free of every fear and there is nothing in our way.
Michelle HodkinI’m too selfish to leave you,” I said. Noah pulled back so I could see his smile. “I’m too selfish to let you.
Michelle HodkinStichwörter: mara-dyer noah-shaw
How long do you want me?" he asked.
How long can I have you? I thought.
I'm not sure you can appreciate how much I want to lay you out before me and make you scream my name.
Michelle HodkinThis was the boy I loved. A little bit messy. A little bit ruined. A beautiful disaster. Just like me.
Michelle HodkinBut you know what their real problem with me was? I never wanted to be one of them. That’s what bothers bullies the most.
Michelle HodkinIt doesn’t matter what we are. It matters what we do.
Michelle HodkinStichwörter: inspirational
You’re stronger than you believe. Don’t let your fear own you. Own yourself.
Michelle HodkinEveryone is a little crazy. The only difference between us and them is that they hide it better.
Michelle HodkinStichwörter: humor
What do I sound like?" I asked, more breathily than I intended. God, so predictable.
He considered his answer for a moment before he gave it. "Dissonant," he said finally.
"Meaning?"
Another long pause. "Unstable."
Hmm.
He shook his head. "Not the way you're thinking," he said, the shadow of a smile on his lips. "In music, consonant chords are points of arrival. Rest. There's no tension," he tried to explain. "Most pop music hooks are consonant, which is why most people like them. They're catchy but interchangeable. Boring. Dissonant intervals, however, are full of tension," he said, holding my gaze. "You can't predict which way they're going to go. It makes limited people uncomfortable - frustrated, because they don't understand the point, and people hate what they don't understand. But the ones who get it," he said, lifting a hand to my face, "find it fascinating. Beautiful." He traced the shape of my mouth with his thumb. "Like you.
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