A lone walker is both present and detached, more than an audience but less than a participant. Walking assuages or legitimizes this alienation.
Rebecca SolnitStichwörter: walking alienation
Every walker is a guard on patrol to protect the ineffable.
Rebecca SolnitStichwörter: walking ineffable
Walking . . . is how the body measures itself against the earth.
Rebecca SolnitStichwörter: walking
The magic of the street is the mingling of the errand and the epiphany.
Rebecca SolnitStichwörter: magic epiphany errand street
Earlier 18th-century literary language was not supple enough to connect the life of the imagination to that of the street.
Rebecca SolnitStichwörter: imagination language street
Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.
Rebecca SolnitStichwörter: language walking architecture cities possiblity
The promenade is a special subset of walking.
Rebecca SolnitStichwörter: walking promenade
A labyrinth is a symbolic journey . . . but it is a map we can really walk on, blurring the difference between map and world.
Rebecca SolnitStichwörter: journey maps walking labyrinth
Roads are a record of those who have gone before.
Rebecca SolnitStichwörter: roads
The planting of [orchards] represents a reduction of a complex ecology into the monocultural grid of modern agriculture, and the transformation of a complex symbiosis with the land into the simpler piecework or agricultural labour for surplus and export.
Rebecca SolnitStichwörter: fruit page-55 landscape orchards
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