The culture-heroes of our liberal bourgeois civilisation are anti-liberal and anti-bourgeois; they are writers who are repetitive, obsessive, and impolite, who impress by force - not simply by their tone of personal authority and by their intellectual ardor, but by the sense of acute personal and intellectual extremity. The bigots, the hysterics, the destroyers of the self - these are the writers who bear witness to the fearful polite time in which we live. Mostly it is a matter of tone: it is hardly possible to give credence to ideas uttered in the impersonal tones of sanity.
Susan SontagIt hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Susan SontagStichwörter: love heartbreak love-hurts
It was not a question of knowledge...but of alertness, a fastidious transcription of what could be thought about something, once it swam into the stream of attention.
Susan SontagMy library is an archive of longings.
Susan SontagStichwörter: books library longing
I'm only interested in people engaged in a project of self-transformation.
Susan SontagWe are told we must choose — the old or the new. In fact, we must choose both. What is a life if not a series of negotiations between the old and the new?"
[Speech upon being awarded the Friedenspreis des Deutschen Buchhandels (Peace Prize of the German Book Trade), Frankfurt Book Fair, October 12, 2003]
Stichwörter: life past future present time understanding attitude choices
Women may be vain, but when a man is vain, it is beyond believing, for a man is willing to die for his vanity.
Susan SontagLiving abroad facilitates treating life as a spectacle.
Susan SontagIt was from a weekly visit to the cinema that you learned (or tried to learn) how to strut, to smoke, to kiss, to fight, to grieve. Movies gave you tips about how to be attractive (...). But whatever you took home from the movies was only part of the larger experience of losing yourself in faces, in lives that were not yours - which is the more inclusive form of desire embodied in the movie experience. The strongest experience was simply to surrender to, to be transported by, what was on the screen
Susan SontagStichwörter: a-century-of-cinema cinemaphilia
The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.
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