I hope that you have nothing against malice, my good engineer. In my eyes it is the brightest sword that reason has against the powers of darkness and ugliness. Malice, sir, is the spirit of criticism, and criticism marks the origin of progress and enlightenment.
Thomas MannWhat did one see if one looked in any depth into the world of this writer's fiction? Elegant self-control concealing from the world's eyes until the very last moment a state of inner disintegration and biological decay; sallow ugliness, sensuously marred and worsted, which nevertheless is able to fan its smouldering concupiscence to a pallid impotence, which from the glowing depths of the spirit draws strength to cast down a whole proud people at the foot of the Cross and set its own foot upon them as well; gracious poise and composure in the empty austere service of form; the false, dangerous life of the born deceiver, his ambition and his art which lead so soon to exhaustion ---
Thomas MannStichwörter: art writers fiction decay deceit form
Even in a personal sense, after all, art is an intensified life. By art one is more deeply satisfied and more rapidly used up. It engraves on the countenance of its servant the traces of imaginary and intellectual adventures, and even if he has outwardly existed in cloistral tranquility, it leads in the long term to overfastidiousness, over-refinement, nervous fatigue and overstimulation, such as can seldom result from a life of the most extravagant passions and pleasures.
Thomas MannStichwörter: art introversion neuroticism
There were profound reasons for his attachment to the sea: he loved it because as a hardworking artist he needed rest, needed to escape from the demanding complexity of phenomena and lie hidden on the bosom of the simple and tremendous; because of a forbidden longing deep within him that ran quite contrary to his life's task and was for that very reason seductive, a longing for the unarticulated and immeasurable, for eternity, for nothingness. To rest in the arms of perfection is the desire of any man intent upon creating excellence; and is not nothingness a form of perfection?
Thomas MannStichwörter: art eternity sea perfection excellence nothingness
Opinions cannot survive if one has no chance to fight for them.
Thomas MannStichwörter: philosophical
Aber für ihn war Musik - Musik, wenn es eben nur welche war, und gegen das Wort von Goethe: 'Die Kunst beschäftigt sich mit dem Schweren und Guten' fand er einzuwenden, daß das Leichte auch schwer ist, wenn es gut ist, was es ebensowohl sein kann wie das Schwere. Davon ist etwas bei mir hängengeblieben, ich habe es von ihm. Allerdings habe ich ihn immer dahin verstanden, daß man sehr sattelfest sein muß im Schweren und Guten, um es so mit dem Leichten aufzunehmen.
Thomas MannDie älteste Sprache, sagt man, sei das Indogermanische, Indo-europäische, das Sanskrit. Aber es ist so gut wie gewiß, daß das ein "Ur" ist, so vorschnell wie manches andere, und daß es eine wieder ältere Muttersprache gegeben hat, welche die Wurzeln der arischen sowohl wie auch der semitischen und chamitischen Mundarten in sich beschloß. Wahrscheinlich ist sie auf Atlantis gesprochen worden, dessen Silhouette die letzte im Fernendunst undeutlich noch sichtbare Vorbirgskulisse der Vergangenheit bildet, das aber selbst wohl kaum die Ur-Heimat des sprechenden Menschen ist.
Thomas MannStichwörter: linguistics
Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd.
Thomas MannStichwörter: beauty solitude absurd perverse
Ako vam je suviše stalo do onoga što imate kazati, ako vam je ono suviše priraslo srcu, možete biti sigurni, da ćete doživeti potpuni neuspeh. Postat ćete patetični, postati ćete sentimentalni, pod vašim rukama nastaće nešto nezgrapno, nespretno, neozbiljno, neobuzdano, bez ironije, neslano, dosadno, banalno a kraj priče biće: samo ravnodušnost u ljudi, samo razočaranje i jad u vama.
Jer tako vam je to , Lizaveto: Osećaj, topli, srdačni osećaj uvek je banalan i neupotrebljiv a umetnička je samo razdraženost i hladna ekstaza našeg pokvarenog, našeg artističkog živčanog sistema
Ako je lutao, bilo je to zato, što za neke ljude uopšte nema pravog puta.
Kad bi ga pitali, šta zapravo kani postati, davao bi različite odgovore, jer je običavao reći ( a bio je to već i napisao), da nosi u sebi mogućnosti za hiljadu načina života, zajedno s potajnom svesti, da su to zapravo same nemogućnosti.
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