Blažene žene: one nikad ništa ne rade dopola. One uvijek u sve unose svu strast.
Charles DickensStichwörter: charles-dickens a-christmas-carol božićna-priča
Ningún hombre sabe, hasta que llega el momento, qué profundidades hay en su interior. Para algunos hombres no llega nunca; dejémoslos descansar y demos gracias. Para mí, tú la has traído, tú la has forzado, y el fondo de ese mar embravecido se ha alzado desde entonces... Te amo. Lo que quieren decir otros hombres cuando usan esa expresión no lo sé; lo que quiero decir yo es que estoy bajo la influencia de una atracción terrible, que he resistido en vano y que me domina. Puedes arrastrarme al fuego, puedes arrastrarme a la horca, puedes arrastrarme a la muerte, puedes arrastrarme a todo aquello que siempre he evitado, puedes arrastrarme a cualquier peligro y cualquier desgracia. A eso y a la confusión de mis pensamientos, que es tal que no valgo para nada, es a lo que me refiero cuando digo que eres mi ruina.
Charles DickensStichwörter: charles-dickens drood
A man would die tonight of lying out on the marshes, I thought. And then I looked at the stars, and considered how awful it would be for a man to turn his face up to them as he froze to death, and see no help or pitty in all the glittering multitude.
Charles DickensStichwörter: death stars charles-dickens great-expectations
She had curiously thoughtful and attentive eyes; eyes that were very pretty and very good.
Charles DickensStichwörter: eyes pretty charles-dickens great-expectations
…some bits of Dickens-books with which latter I am long familiar and long enamored for the restful falseness of their sentiment and the pungent appetizing charm of their villains.
Mary MacLaneStichwörter: charles-dickens
Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit.
But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep.
He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works…
It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody.
Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality.
This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.
Stichwörter: literature jane-austen charles-dickens emily-bronte charlotte-bronte wordsworth jonathan-swift
I like Mr. Dickens’ books much better than yours, Papa. Said one of Thackeray’s daughters.
David MarksonStichwörter: children charles-dickens william-makepeace-thackeray
She stood looking at me, and, of course, I stood looking at her.
"Am I pretty?"
"Yes; I think you are very pretty."
"Am I insulting?"
"Not so much so as you were last time," said I.
"Not so much so?"
"No."
She fired when she asked the last question, and she slapped my face with such force as she had, when I answered it.
"Now," said she. "You little course monster, what do you think of me now?"
"I shall not tell you."
"Because you are going to tell upstairs. Is that it?"
"No," said I. "That is not it."
"Why don't you cry again, you little wretch?"
"Because I'll never cry for you again," said I.
Stichwörter: pip charles-dickens great-expectations estella
...sapevo, con mio grande dolore, molto spesso, se non sempre, che l'amavo a dispetto della ragione, a dispetto di ogni promessa, a dispetto della mia pace, a dispetto della speranza, a dispetto della felicità, a dispetto di ogni possibile scoraggiamento. Una volta per tutte: non l'amavo di meno perché lo sapevo, e il fatto che lo sapessi non valeva a frenarmi...
Charles DickensStichwörter: pip charles-dickens great-expectations estella grandi-speranze
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