4. Radicalism of forms. If a new model once created meets with much success on account of its greater efficiency than its predecessor, it lends certain neighbouring forms a formal radicalism, which attempts to borrow from the appearance of the new form: for example, bronze tools that had reached the furthest development of their utility had a disastrous influence on stone tools, warping them toward an elegance that could only be attained in bronze. Today aviation has imposed its aerodynamic forms even on baby strollers and irons. This radicalism of forms is a result of the fact that people become bored when they do not find some unexpected element in the familiar. This radicalism might seem illogical, as the advocates of standardization believe, but we must not forget that discovery is only made possible by this need of humanity.
Tom McDonoughStichwörter: design form 56 situationist
We could already try to lend a hand, to intervene if only by simply moving objects around. This would be better, on the whole, than waiting for the thick wall encircling life to brutally make the first move. (As happens during wartime.)
Tom McDonoughStichwörter: city 56 situationist interventions
Moreover the present abundance3 of private cars is nothing other than the result of the non-stop propaganda through which capitalist production persuades the mob--and in this case is one of its most confounding successes--that the possession of a car is specifically one of the privileges our society reserves for its privileged members.
Tom McDonoughStichwörter: cars city 60 situationist
All that remains of the garden city in our own day are traffic-free enclaves, islands in a sea of traffic where the pedestrian leads a legally protected by languishing existence, comparable to that of the North American Indians on their reservations...In reality the modern urbanist regards the city as a gigantic centre of production, geared to the efficient transport of workers and goods, to the accommodation of people and the storage of wares, to industrial and commercial activity. The rest, that is to say creativity, life, is optional and comes under the heading of recreation and leisure activities.
Tom McDonoughStichwörter: creativity walking traffic situationist 114
But how many chose to ignore the direct attack they laid on what is fed to all of us as 'life,' with its well-defined roads to factory and pool-hall, to work and pleasure, both organized, both shells, both a continuation of existence by forced means, in the shadow of life?
Tom McDonoughStichwörter: walking roads situationist 193
The alarming lack of ideas that is recognizable in all acts of culture, politics, organization of life, and the rest is explained by this, and the weakness of the modernist constructers of functionalist cities is only a particularly visible example of it. Intelligent specialists only ever have the intelligence to play the game of specialists: hence the fearful conformity and fundamental lack of imagination that make them admit that this or that product is useful, good, necessary. In fact, the root of the reigning lack of imagination cannot be understood if one does not have access to the imagination of lack--that is to conceiving what is absent, forbidden, and hidden, and yet possible, in modern life.
Tom McDonoughStichwörter: imagination city situationist 206
Byproduct of the circulation of commodities, human circulation considered as a form of consumption, tourism comes down fundamentally to the freedom to go and see what has become banal. The economic planning of the frequenting of different places is already in itself the guarantee of their equivalence. The same modernization that has withdrawn the element of time from journeying, has also withdrawn the reality of space.
Tom McDonoughStichwörter: walking roads city situationist 214
So many problems we will get to the bottom of later, but whose spatial aspect we must grasp right away. If the space of the industrial economy dominates the social space in which the Parisian worker or intellectual develops, to what extent could residential space, cultural space, or political space be planned without it being necessary to first intervene in economic structures?...In short...: to what extent can we freely build the framework for a social life in which we might be guided by our aspirations and not by our instincts?
Tom McDonoughStichwörter: city situationist 73 social-space
At the very opposite of these eccentricities, the chiefly urban character of derive, in touch with those centres of possibilities and meanings that are the metropolises transformed by industry, would correspond to Marx's sentence: 'Men can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive.
Tom McDonoughStichwörter: situationist 80 derive
...Robert Louis Stevenson presents a character who, in London at night, is astonished 'to walk for such a long time in such a complex decor without encountering even the slightest shadow of an adventure.' The urbanists of the twentieth century will have to construct adventures.
The simplest Situationist act would consist in abolishing all the memories of the employment of time of our epoch. It is an epoch that, up until now, has lived far below its means.
Stichwörter: walking situationist 103
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