Richard rubbed his temples. He had a headache from lack of sleep. "Don't you understand? This isn't about conquering lands and taking things from others; this is about fighting oppression."
The general rested a boot on the gilded rung of a chair and hooked a thumb behind his wide belt. "I don't see much difference. From my experience, the Master Rahl always thinks he knows best, and always wants to rule the world. You are your father's son. War is war. Reasons make no difference to us; we fight because we are told to, same as those on the other side. Reasons mean little to a man swinging his sword, trying to keep his head.

Terry Goodkind

Stichwörter: war victory soldiers leaders



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What’s the difference? Fill a hundred pits with dead Northmen, congratulations, have a parade! Kill one man in the same uniform as you? A crime. A murder. Worse than despicable. Are we not all men? All blood and bone and dreams?

Joe Abercrombie

Stichwörter: war fantasy heroes military



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The man is a monster. The worst I have ever seen, in fact, since I last looked in the mirror. The truth? I am rotting too. I am buried alive, and already rotting. If I was not such a coward I would kill myself, but I am, and so I must content myself with killing others in the hope that one day, if I can only wade deep enough in blood, I will come out clean.

Joe Abercrombie

Stichwörter: war fantasy heroes military abercrombie



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Reasons are the spoils of victory. When you've destroyed the enemy, then your leaders write down the reasons in books, and give moving speeches about them. If you've done your job, then there aren't any of the enemy left to dispute your leader's reasons. At least not until the next war.

Terry Goodkind

Stichwörter: war victory soldiers leaders



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And since a novel has this correspondence to real life, its values are to some extent those of real life. But it is obvious that the values of women differ very often from the values which have been made by the other sex; naturally this is so. Yet is it the masculine values that prevail. Speaking crudely, football and sport are "important"; the worship of fashion, the buying of clothes "trivial." And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.

Virginia Woolf

Stichwörter: gender women war literature



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I am weary of your quarrels,
Weary of your wars and bloodshed,
Weary of your prayers for vengeance,
Of your wranglings and dissensions

Henry Wadsworth Longfellow

Stichwörter: war myth native-american legends



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O burn the house! You've murdered the husband, slaughtered the cattle, poisoned the well, raped the mother, killed the child - you must burn the house! You're soldiers - you must do your duty ... O burn the house! Burn the house! Burn the house!

Edward Bond

Stichwörter: war soldiers lear



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There was always someone outside of the chalk circle. Someone who needed money, someone who had a son with whooping cough, or someone who wanted to go off and sleep forever because he could not stand the shit taste of war in his mouth and who nonetheless, stood at attention to inform him: "Everything normal, Colonel." And normality was precisely the most fearful part of that infinite war: nothing ever happened.

Gabriel García Márquez

Stichwörter: war



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And what other kind of man would you want leading you into battle?” he says, reading my Noise. “What other kind of man is suitable for war?”
A monster, I think, remembering what Ben told me once. War makes monsters of men.
“Wrong,” says the Mayor. “It’s war that makes us men in the first place. Until there’s war, we are only children.”
Another blast of the horn comes roaring down at us, so loud it nearly takes our heads off and it puts the army off its stride for a second or two.
We look up the road to the bottom of the hill. We see Spackle torches gathering there to meet us.
“Ready to grow up, Todd?” the Mayor asks.

Patrick Ness

Stichwörter: growing-up war



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There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane.

“I’m cold,” Snowden had whimpered. “I’m cold.”

“There, there,” Yossarian had tried to comfort him. “There, there.”

They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.

Joseph Heller

Stichwörter: war death health disease hospital



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