So much for the recreational side of night life in the upper-bracket-income hotels of Manhattan. And in its root-origins the very word itself is implicit with implication: re-create. Analyze it and you'll see it also means to reproduce. But clever, ingenious Man has managed to sidetrack it into making life more livable.

("New York Blues")

Cornell Woolrich

Tags: recreation



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But it doesn't happen that way, I keep telling myself knowingly and sadly. Only in our fraternity pledges and masonic inductions, our cowboy movies and magazine stories, not in our real-life lives. For, the seventeenth-century humanist to the contrary, each man is an island complete unto himself, and as he sinks, the moving feet go on around him, from nowhere to nowhere and with no time to lose. The world is long past the Boy Scout stage of its development; now each man dies as he was meant to die, and as he was born, and as he lived: alone, all alone. Without any God, without any hope, without any record to show for his life.

("New York Blues")

Cornell Woolrich

Tags: alone 20th-century



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You can always tell a car door, no other door sounds quite like it.

("New York Blues")

Cornell Woolrich

Tags: door car-door



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It's just some instinct as old as fear: you seek the dark when you hide, you seek the light when the need to hide is gone. All the animals have it too.

("New York Blues")

Cornell Woolrich

Tags: fear hide hiding



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You haven't any right to expect your friends to be larger than yourself, larger than life. Just take them as they are, cut down to average size, and be glad you have them. To drink with, laugh with, borrow money from, lend money to, stay away from their special girls as you want them to stay away from yours, and above all, never break your word to, once it's been given.

And that is all the obligation you have, all you have the right to expect.

("New York Blues")

Cornell Woolrich

Tags: friendship friends friendships friendship-tolerance



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After she's gone, another brief lull sets in. This one is probably the last. But what good is a lull? It's only a breathing spell in which to get more frightened. Because anticipatory fear is always twice as strong as present fear. Anticipatory fear has both fears in it at once - the anticipatory one and the one that comes simultaneously with the dread happening itself. Present fear only has the one, because by that time anticipation is over.

("New York Blues")

Cornell Woolrich

Tags: fear dread anticipation



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What careful planning, what painstaking attention to detail, goes into extinguishing a man's life! Far more than the hit-or-miss, haphazard circumstances of igniting it.

("New York Blues")

Cornell Woolrich

Tags: murder death killing execution



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There's a catch phrase that you all must have heard at one time or another. You walk into a room or go over toward a group. Someone turns and says with huge emphasis: 'There he is.' As though you were the most important one of all. (And you're not.) As though you were the one they were just talking about. (And they weren't.) As though you were the only one that mattered. (And you're not.) It's a nice little tribute, and it don't cost anyone a cent.

("New York Blues")

Cornell Woolrich

Tags: tribute catch-phrases



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One of them hasn't got a uniform on or plainclothes either like the rest. He has on the white coat that is my nightmare and my horror. And in the crotch of one arm he is upending two long poles intertwined with canvas.

The long-drawn-out death within life. The burial-alive of the mind, covering it over with fresh graveyard earth each time it tries to struggle through to the light. In this kind of death you never finish dying.

("New York Blues")

Cornell Woolrich

Tags: insanity mental-illness asylum



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Perry, the manager, had come up with him, in trousers and bathrobe. He was a stout, jovial-looking man ordinarily, but right now he was only stout.

("The Room With Something Wrong")

Cornell Woolrich

Tags: fat stout



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