We’ was such a comforting word. ‘We’ meant weathering things together. Camaraderie. Safety in numbers. All the things that Havoc and Jade and Perch had talked about. And yet Mosca had seen all these things collapse within an hour of the dusk bugle.

Frances Hardinge


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It was hopeless. She was flawless. She was a sunbeam. Mosca gave up and got on with hating her.

Frances Hardinge


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Since that time Saracen had been making a name for himself. That name was not ‘Saracen’. Indeed the name was more along the lines of ‘that hell-fowl’, ‘did-you-see-what-it-did-to-my-leg’, ‘kill-it-kill-it-there-it-goes’ or ‘what’s-that-chirfugging-goose-done-now’.

Frances Hardinge


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Until yesterday Mosca had been trapped between two rivers, desperate to get out before winter arrived. Toll had looked like her only means of escape. Now, however, she wondered if she had traded one prison for another, a smaller prison with high walls. If she was not out of it before her allotted time as a visitor ended, then the mysterious night town with its twilight cacophony would claim her.

Frances Hardinge


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Mosca had preferred it when she could hear the edge in her companion’s voice. Now she felt like someone who knows that there is a scorpion somewhere in the room but can’t see where it is.

Frances Hardinge


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That," he whispered, "is unthinkable." In Mosca’s experience, such statements generally meant that a thing was perfectly thinkable, but that the speaker did not want to think it.

Frances Hardinge


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But I don’t want to be grateful. I’m tired of being kicked about like a pebble, and told that I have to be happy that it’s no worse. I’ve had enough. It’s time the pebble kicked back.

Frances Hardinge


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Gravelip, a young, slight footman with a pocked nose and large ears, obediently gave a smile like toothache. He seemed less than delighted to have outpaced his friends in the ugliness race.

Frances Hardinge


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Names were important. You carried your name like a brand. You never lied about it, for fear of angering the god under which you were born.

Frances Hardinge


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That clock’s a lot like the town, she decided. Looks good, sounds great, pretends to be some sort of masterpiece. But it’s broken. It’s rotten and broken right down inside where its heart’s cogs meet. That’s Toll.

Frances Hardinge


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