So, did you see that community center I was talking about?”
“What? Where?”
“We walked right past it, just before that grocery store. I mentioned it on the way to the city? You just drop in and take classes. They’ve got all sorts of stuff. I bet you can get a student rate, even.”
“But I’m not a student—”
“You’re young enough that they’ll assume—”
“—and how am I supposed to find the time to take dance classes, now that I’m the dessert?”
“I’m starting to really regret using that metaphor,” Silas says, grinning. “And let me explain something, Rosie.” He takes a swig of the coffee and presses his lips together, searching for words. “I’m from a long, long, long, long line of woodsmen. My brothers are all supertalented. They all built their own rooms. For god’s sake, Lucas built a freaking wooden hot tub in his bedroom with wooden monkeys pouring water into it.”
“Monkeys?”
“Don’t ask. Anyway, I can do some woodworking. I know my way around the forest, I can handle an ax better than most, I can make a tree grow where nothing else will, I can live off berries and hunt for my food, and I’ve known about the Fenris since I could crawl. I’m a woodsman, for all intents and purposes. But that doesn’t mean I live for it any more than the fact that you’re good at hunting means you have to live for that. So maybe breaking out of the hunting lifestyle for a few hours here and there will help you figure out if it’s really for you or not.”
I shake my head, confused as to why he’d even think that was possible. “I can’t just not hunt, Silas. So yeah, I take a few random classes, and what if I decide that I hate hunting and want to quit? That doesn’t mean I can. I owe Scarlett my life, and if she wants to cash in by having me spend my life hunting beside her, so be it. It’d kill her if she ever thought I wanted to quit.”
“Rosie,” Silas says quietly. “I’m not suggesting you drop your sister like a bad habit and take up intense ballet training.
I look back at Silas, who is adding more sugar to his coffee. “Okay. Fine. One class, but only because I might not get another chance once we’re back in Ellison. And you have to promise not to tell Scarlett.”
“Only if you let me pay for it,” he counters.
“Silas,” I say threateningly.
He shrugs. “You and Lett are broke. And besides, if you pay for it, Scarlett will know the money is missing.”
“Fine,” I say dismissively.
“Great. Let’s go get you signed up, then,” he says, rising and dropping a few crumbled dollars onto the tabletop. I remain seated, mouth open.
“Now?”
“No time like the present. I suppose I’ve taken Operation Rosie-Gets-a-Life as a personal mission. It’s too similar to Operation Silas-Gets-a-Life for me to ignore.” He extends a hand to me, and, without thinking, I take it. My heart rate quickens and I want to pull him toward me.
Oh god. What am I thinking? I pull my hand away again and smile nervously. Silas smiles almost sheepishly. Did he feel the same stirring sensation?
Well I’m sixteen, close enough. Scarlett is eighteen, which makes Silas . . . wow. What does someone Silas’s age want with a kid like me?
Jackson PearceTwo men enter the room, one old and mustached and the other young and tawny-headed, wearing sweats and a worn T-shirt. He looks like Silas, actually—god, what am I, obsessed? But there really is something of the woodsman in the younger man’s face, with his full lips, his slightly curled hair that turns like tendrils around his ears . . . I look away before studying him too closely.
“All right, ladies, are we ready?” the older man says enthusiastically. There’s a loud rustling of paper as well flip the enormous sketchbooks on our easels until we find blank sheets. I draw a few soft lines on my page, unsure what—
Non-Silas rips off his T-shirt, revealing lightly defined muscles on his pale chest. I raise an eyebrow just as he tugs at the waist of the sweatpants. They drop to the floor in a fluid, sweeping motion.
There’s nothing underneath them. At all.
My charcoal slips through my suddenly sweaty fingers.
Non-Silas steps out of the puddle of his clothes and moves to the center of the room, fluorescent lights reflecting off his slick abdomen. He’s smiling as though he isn’t naked, smiling as though I didn’t somehow manage to get the seat closest to him. As if I can’t see . . . um . . . everything only a few feet from my face, making my mind clumsily spiral. I squeeze my eyes shut for a moment; he looks like Silas in the face, and because of that I keep wondering if he looks akin to Silas everywhere else.
“All right, ladies, this will be a seven-minute pose. Ready?” the older man says, positioning himself behind the other empty easel. The roomful of housewives nod in one hungry motion. I quiver. “Go!” the older man says, starting the stopwatch. Non-Silas poses, something reminiscent of Michelangelo’s David, only instead of marble eyes looking into nothingness, non-Silas is staring almost straight at me.
Draw. I’m supposed to be drawing. I grab a new piece of charcoal from the bottom of the easel and begin hastily making lines in my sketchbook. I can’t not look at him, or he’ll think I’m not drawing him. I glance hurriedly, trying to avoid the region my eyes continuously return to. I start to feel fluttery.
How long has it been? Surely it’s been seven minutes. I try to add some tone to my drawing’s chest. I wonder what Silas’s chest looks like . . . Stop! Stop stop stop stop stop—”
“Right, then!” the older man says as his stopwatch beeps loudly and the scratchy sound of charcoal on paper ends. Thank you, sir, thank you—”
“Annnnd next pose!”
Non-Silas turns his head away, till all I can see is his wren-colored hair and his side, including a side view of . . . how many times am I going to have to draw this man’s area? What’s worse is that he looks even more like Silas now that I can’t see his eyes. Just like Silas, I bet. My eyes linger longer than necessary now that non-Silas isn’t staring straight at me.
By the end of class, I’ve drawn eight mediocre pictures of him, each one with a large white void in the crotch area. The housewives compare drawings with ravenous looks in their eyes as non-Silas tugs his pants back on and leaves the room, nodding politely. I picture him naked again.
I sprint from the class, abandoning my sketches—how could I explain them to Scarlett or Silas? Stop thinking of Silas, stop thinking of Silas.
I don’t know how to bowl.”
“Right, that’s a problem, since this place really screams ‘professional bowling,’” Silas snips back, rolling his eyes.
Do you suppose that’s it? That’s all there is to it?” Scarlett whispers, collapsing backward onto the couch.
“Even if it isn’t, how many seventh sons of seventh sons can there be in this city?” Silas says. He takes my hand, and even though Scarlett is watching, I can’t bring myself to pull it away. “We . . . we have it. We just need to find him.”
We don’t speak. I squeeze Silas’s hand and he smiles at me as Scarlett stands and beings pacing, deep in thought.
“Good job, love,” Silas whispers to me. When Scarlett’s back is turned, he pulls me toward him and kisses my forehead adoringly.
I stop crying for a moment when light from the street steals into my bedroom as Silas gently pushes the curtain aside. He leans against the wall, arms folded across his bare chest and hair falling in front of his eyes. Almost silently, he moves to the tiny space between my bed and the wall and lowers himself to the floor. Raising his knees to his chest, he drops his head and reaches for my hand, running his thumb across my knuckles silently.
I slide off the bed, sheets wrapped around my legs, and ease into his lap, tucking my face against his neck. He cradles me against him like he’s afraid to let me go. I know I should shy away, that I should climb back into my bed out of loyalty to my sister. But there’s something that locks me in place, something that won’t let me stray from the gentle rise and fall of his chest or from his arms, supporting me like I’m something precious as his lips brush across my forehead.
Without speaking, we finally fall asleep.
We shouldn’t be doing this. We shouldn’t have done this. She’s my sister.”
“Don’t say that,” Silas murmurs into my hair, voice genuinely pleading. “Please don’t ever say that.”
“We’re hunters,” I choke.
“Yes. Of course we are. We’re . . . we’re more . . . but . . .” He shakes his head and pushes me out to arm’s length, lowering his head to look me in the eyes. “I didn’t mean for us to hurt her, Rosie, but I wouldn’t take any of it back. I couldn’t take any of it back—I love you too much.
You understand,” Silas says quietly—the words are just for me, but I know Scarlett hears—“I’m . . . when I’m twenty-eight, Rosie. You know what this means. I’m dangerous, Rosie.”
“You plan on loving me when you’re twenty-eight?” I interrupt, uncertain if my question is serious or not.
Silas’s eyes widen in surprise. He turns to look out the taxi window for a moment, and when his eyes meet mine again, there’s a beautiful sincerity glistening in the gray-blue irises. “Rosie . . . I love you. Now, when I’m twenty-eight, when I’m thirty-five . . . I love you.”
I exhale. “Okay, then.”
“But I’m—”
I put a finger against his soft, bow-shaped lips. “Okay, then.
Scarlett doesn’t want to go to the hospital. Not surprising, really, since we have to come up with an elaborate story about how we all got so severely wounded.
“Dogfight. We broke one up,” my sister answers for us as a horrified emergency room receptionist looks at Scarlett’s raw, bleeding shoulders.
“Dogs dislike us.” Silas shrugs, clutching the wound on his chest. He glances down at the burn wounds on my legs. I think they might scar, but it’s hard to say. The receptionist speaks into a walkie-talkie, then lets her eyes travel from the fresh wounds to the ancient scars on Scarlett’s body.
“Dogs pretty much hate me,” Scarlett says testily. The poor receptionist looks relieved when the ER doctors appear and usher us down the hall.
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