(D)ialogue is generally the worst choice for exposition. 'When you're writing lines...you need to focus on the way people actually talk. And when we talk to each other we never actually explain our terms. We don't say 'Sweetheart, would you pass me the sugar bowl, which we picked up for a song at that antique stall in Munich.

Jincy Willett

Tags: writing



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(T)here are worse things than falling on your face right out of college...Like instant, unearned success. Like getting your first novel accepted by the first publisher you send it to. Like getting your first rejection slip at the age of thirty-five.

Jincy Willett

Tags: writing



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Reading was not an escape for her, any more than it is for me. It was an aspect of direct experience. She distinguished, of course, between the fictional world and the real one, in which she had to prepare dinners and so on. Still, for us, the fictional world was an extension of the real, and in no way a substitute for it, or refuge from it. Any more than sleeping is a substitute for waking." (Jincy Willett)

Jincy Willett

Tags: reading books



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When it comes to books, I am a sensuous woman.

Jincy Willett


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We are so lonely here, with only our loved ones for company. We kill, maim, insult our loved ones, or dream of doing so, to keep from going mad. And then disaster strikes. God, how we love disaster.

Jincy Willett


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There were no ordinary human beings. Everybody was born with a surprise inside.

Jincy Willett


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I spent my next hour reshelving, and the next thirty minutes straightening out the Mc's and Mac's. Nobody on God's earth understands the Mc/Mac principle anymore. In order to do that, you have to be willing to think about something other than your genitals for a full minute.

Jincy Willett


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That's the hard work of writing. The imagining.

Jincy Willett

Tags: writing



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Carla was wearing a No Fear sweatshirt. You are too old, Amy wanted to tell her, for legible clothing.

Jincy Willett

Tags: humor witty snark



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Actually, the Sniper's sense of humor frightened Amy more than anything else. The parody of Carla's poem had been witty, the rudeness of Marvy's critique outlandish, and she was still, for some reason, focused on that "youse" in the Sniper's counterfeit email. "Youse" was like a spectral elbow to Amy's ribs. Dangerous, malevolent people should not be amusing. In order to be humorous, you had to have perspective, to be able to stand outside yourself and your own needs and grudges and fears and see yourself for the puny ludicrous creature you really are. How could somebody do that and still imagine himself entitled to harry, to wound, to kill?

Jincy Willett

Tags: humor self-awareness cruelty



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