Young friends, whose string-and-tin-can phone extended from island to island, had to pay out more and more string, as if letting kites go higher and higher. They had more and more to tell each other, and less and less string. The boy asked the girl to say "I love you" into her can, giving her no further explanation. And she didn't ask for any, or say "That's silly," or "We're too young for love," or even suggest that she was saying "I love you" because he asked her to. Instead she said, "I love you." The words traveled through the long, long string. The boy covered his can with a lid, removed it from the string, and put her love for him on a shelf in his closet. Of course, he never could open the can, because then he would lose its contents. It was enough just to know it was there.
Jonathan Safran FoerTags: inspirational love sweet
Maybe that's what a person's personality is: the difference between the inside and outside.
Jonathan Safran FoerIt's just that sometimes we make things up just to talk
Jonathan Safran Foer...if we are to be such nomads with the truth, why do we not make the story more premium than life? It seems to me that we are making the story even inferior. We often make ourselves appear as though we are foolish people, and we make our voyage, which was an ennobled voyage, appear very normal and second rate. We could give your grandfather two arms, and could make him high-fidelity. We could give Brod what she deserves in the stead of what she gets. We could even find Augustine, Jonathan, and you could thank her, and Grandfather and I could embrace, and it could be perfect and beautiful, and funny, and usefully sad, as you say. We could even write your grandmother into your story. This is what you desire, yes? Which makes me think that perhaps we could write Grandfather into the story. Perhaps, and I am only uttering this, we could have him save your grandfather. He could be Augustine. August, perhaps. Or just Alex, if that is satisfactory to you. I do not think that there are any limits to how excellent we could make life seem.
Jonathan Safran Foeri thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, i thought about my small victories and everything i'd seen destroyed. i'd swum through mink coats on my parents' bed while they hosted downstairs, i'd lost the only person with whom i could have spent my only life, i'd left behind a thousand tonnes of marble from which i could have released sculptures, i could have released myself from the marble of myself, i'd experienced joy, but not nearly enough, could there be enough? the end of suffering does not justify the suffering.
Jonathan Safran FoerWeeks passed like boats waiting to sail into the starless dawn, we were full of aimless endless darkness.
Jonathan Safran FoerTags: boredom
That ghost of a smile fell away and receded and finally faded.
Jonathan Safran FoerHow did she end up here, like this? How could there have been so much - so many moments, so many people and things, so many razors and pillows, timepieces and subtle coffins - without her being aware? How did her life live itself without her?
Jonathan Safran FoerHe awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy.
Jonathan Safran FoerTags: everything-is-illuminated
When she woke up crying for one of her nightmares, the Kolker would stay with her, brush her hair with his hands, collect her tears in thimbles for her to drink the next morning (The only way to overcome sadness is to consume it, he said), and more than that: once her eyes closed and she fell back asleep, he was left to bear the insomnia. There was a complete transfer, like a speeding billiard ball colliding with a resting one. Should Brod feel depressed - she was always depressed - the Kolker would sit with her until he could convince her that it’s OK. It is. Really. And when she would move on with her day, he would stay behind, paralysed with a grief he couldn’t name and that wasn’t his. Should Brod become sick, it was the Kolker that would be bedridden by week’s end. Should Brod feel bored, knowing too many languages, too many facts, with too much knowledge to be happy, the Kolker would stay up all night studying her books, studying the pictures, so the next day he could try to make the kind of small talk that would please his young wife.
Jonathan Safran FoerTags: love sadness nightmares
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