Writing of the narrative kind, and perhaps all writing, is motivated deep down, by a fear or and fascination with mortality - by a desire to make the risky trip to the underworld and to bring something or someone back from the dead.
Margaret AtwoodWe have begun to slam doors, and to throw things. I throw my purse, an ashtray, a package of chocolate chips, which breaks on impact. We are picking up chocolate chips for days. Jon throws a glass of milk, the milk, not the glass: he knows his own strength, as I do not. He throws a box of Cheerios, unopened.
The things I throw miss, although they are worse things. The things he throws hit, but are harmless.
I begin to see how the line is crossed, between histrionics and murder.
it was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
That must be what was meant by fallen women. Fallen women were women who had fallen onto men and hurt themselves. There was some suggestion of downward motion, against one's will and not with the will of anyone else. Fallen women were not pulled-down women or pushed women, merely fallen. Of course there was Eve and the Fall; but there was nothing about falling in that story, which was only about eating, like most children's stories.
I was unfair to him, of course, but where would I have been without unfairness? In thrall, in harness. Young women need unfairness, it's one of their few defenses. They need their callousness, they need their ignorance. They walk in the dark, along the edges of high cliffs, humming to themselves, thinking themselves invulnerable.
Margaret AtwoodEXTINCTATHON, Monitored by MaddAddam. Adam named the living animals, MaddAddam names the dead ones. Do you want to play?
Margaret AtwoodMen are afraid that women will laugh at them. Women are afraid that men will kill them.
Margaret AtwoodTags: feminism apocryphal
Thy only authentic ending is the one provided here: John and Mary die, John and Mary die, John and Mary die.
Margaret AtwoodTags: happy-ending
Now that I am dead, I know everything.
Margaret AtwoodRemember,' she'd tell her staff, 'every customer wants to feel like a princess, and princesses are selfish and overbearing.
Margaret AtwoodThere were still newspapers, then. We used to read them in bed. It's French, he said. From m'aidez. Help Me.
Margaret AtwoodTags: mayday
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